Has anyone had a chance to audition the Triton Ones with the Triton Twos, side by side?
All this love for the Ones has got me thinking.
A couple of months ago I auditioned the Twos. They sounded just fine. Then we substituted the B&W CM10s, and I'm afraid it was no contest: the B&Ws were more fleshed out, more timbrally rich and nuanced, more like complex real instruments in real space.
From all the love they're receiving, it seems as if the Ones are a significant step up over the Twos. The review in Stereophile also seems to suggest as much. Can anyone confirm?
All this love for the Ones has got me thinking.
A couple of months ago I auditioned the Twos. They sounded just fine. Then we substituted the B&W CM10s, and I'm afraid it was no contest: the B&Ws were more fleshed out, more timbrally rich and nuanced, more like complex real instruments in real space.
From all the love they're receiving, it seems as if the Ones are a significant step up over the Twos. The review in Stereophile also seems to suggest as much. Can anyone confirm?