What about phono cables? The very act of playing vinyl physically moves the phono interconnect which according to some of you should rob the music of dynamics.
But then again there is that story about Frank Sinatra. The Man would always use a Telefunken U47 microphone which he would bring to a recording session. He'd give it to his recording engineer who would set it up and they would run a few test. It would look like this. Nelson Riddle would be instructed to rehearse the band. Then Frank would leave the studio, jump in his Ferrari and drive over the Ava Gardner's (or some other woman's) place and not come back to the studio for 2 to 3 days. He'd come back into the studio with a big smile on his face ready to record and he'd only have one question: "Has the cable settled in yet?"
But then again there is that story about Frank Sinatra. The Man would always use a Telefunken U47 microphone which he would bring to a recording session. He'd give it to his recording engineer who would set it up and they would run a few test. It would look like this. Nelson Riddle would be instructed to rehearse the band. Then Frank would leave the studio, jump in his Ferrari and drive over the Ava Gardner's (or some other woman's) place and not come back to the studio for 2 to 3 days. He'd come back into the studio with a big smile on his face ready to record and he'd only have one question: "Has the cable settled in yet?"