@erik_squires I agree. Much can be done prior to the wall outlet as well as from the outlet to the gear and with minimal investment. Dedicated circuits are a must. Gear should be protected from surge with a good quality line conditioning surge protector with high current capability such as Furman Elite PF series. Furman units are used in many recording studios and are no bulls$#t. I use them in my theater rack with two 6 channel high current AB International amps. Black background absolutely silent system at idle. Same with my 2ch system. Dedicated 20amp circuit to Furman Elite. All Gear has standard power cords. Dead silent background with full dynamic range, no reduction of power and strong bass response. Ultra expensive bandaids may look pretty but with clean power on tap absolutely do not provide performance or benefits worthy of their ridiculous price. If the gullible with deep pockets are assured of promised improvements by slick marketing campaigns well let them spend thousands on a power cable that might possibly make a whopping 1/2% improvement.
Monstrous power cables
Why?
I’m sitting in my listening chair looking at the over $1K power cable that came with my Running Springs Audio Maxim power conditioner. The guy I bought the unit from said he auditioned three cables all costing over a grand and liked these the best.
The cables are about the diameter of the cardboard center of paper towels (maybe even thicker) and weighs about five pounds. It’s absolutely monstrous! I’ve got a piece of wood supporting it under the receptacle and use other items to support it under the Maxim.
The electricity is carried through my house probably using 14 gauge wire. What’s the logic using more than that going from the outlet to any component?
I’ve got quite a few power cables of various diameters, the thickest (other than the one connected to the Maxim) being the AC9 s from Pangea. And to be honest, I don’t think I’ve ever AB’d power cables, having just assumed they do make (at least) some difference.