mogami interconnects


The news is reaching me that the best solution for i/c's is Mogami Neglex 2549 microphone cable and Neutrik plugs, using the two core wires for send and return, and connecting the screen to return at one end.

I was wondering whether anyone out there had any experience with Mogami cables.

Looking forward to hearing your views.

Simon
lutenist
If you are running balanced cables, and

Your balanced system (preamp) supports the 600 ohm standard

then

you will find no audible difference between the Mogami and any other balanced cable, price no object.

Why?

The low impedance balanced line system was specifically devised to eliminate cable artifact, and it works.

Single ended: all bets are off.

Balanced, but does not support the standard: all bets are off.

BTW, to support the 600 ohm aspect of the standard your preamp will have an much lower impedance which will be unchanging from 20Hz to 20KHz.
Had a long conversation with the Mogami distributor in California. I was quite surprised, because I only wanted 100 ft. of cable. Anyway, he liked telling stories.

According to him, "most" studios use Mogami, but not the 2534. He says some years ago there was a big switch-over to Mogami 3173. It's a balanced 110 ohm cable that Mogami recommends for both analogue and "long distance AES/EBU digital."

I use Mogami 3173 as well as DH Labs Pro Studio and Neotech NEI-3004. Doubt I could tell the difference, whether for balanced or single-ended.

[FWIW, I use big solid-state amps of 100-400 wpc (Ampzilla 2000, B.A.T., MC2, McCormack), and high sensitivity professional studio monitors (TAD TL-1801/TL-1603/TD-4003, Tannoy "System" series) with Mogami 3104 speaker cable (4 x 11.5 AWG) in a 28 X 27 x 18 ft. space.]
I use the Mogami w2549 for unbalanced interconnects and I think it sounds fantastic. Great detail and extension at both frequency extremes and smooth, 3-dimensional sound. Very transparent sounding without getting thin sounding.

I use one conductor for the signal, the other for a ground and I also attach the shield at both ends. For some reason, I tend not to like interconnects that use multiple large conductors for the signal. I probably wouldn't like any of the quad cables and I wouldn't count anybody's experience with them as being relevant to how the w2549 cable sounds when wired as described.
I had Stealth Indra and Stealth Sakra, bought some Mogami Gold........and not long later the Stealth was for sale! I have also compared it to Analysis Plus Golden Oval, which is also now for sale! The only cable I have tried so far that I like better it TEO Standard.

The Mogami is amazing at any price, the fact that you can get a pair balanced 6' cables for $100 is insane! I sold my Stealth and put $10K in my pocket........actually, I bought an MBL6010D with the money which gave me better bang for the buck than the Stealth.

I have been in high end audio for over 25 years now, and owned many components, ic's, power cables, tweaks, etc. The Mogami is amazing, period.
I've used Mogami for mic cable for years...so I figured a pair of 'em from Guitar Center would work from my Kavent pre balanced to to my beloved Forte' 55. Balanced gold Neutrik...and man...unlistenable, and I'm not a cable snob but apparently they needed to break in and I wouldn't play along. It was THAT bad...harsh treble for days. Got my money back the next day. Bought a pair of Ebayed AQ Diamondbacks and they sound fine (even better after a couple of weeks).