Tube microphonics are exactly as you described and will add kind of reverb sound. There's many people who like a bit of microphonics. Problem I have with it is that the louder you play the more effect the microphonics are having. The 3 pre's you list are all similar. I've not heard the BAT but from what I've read it aims more toward accuracy. A good friend just replaced a Sonic Frontiers with an ARC but has nothing to do with quality of either but more of a personal preference. It's something you'll have to try yourself as nobody can tell you what sounds best in your system to you and like I said earlier there are different flavors. Good luck
Mating Tube pre's with SS amps
I'm about to buy either a Levinson 334 or Classe 200 mono's. I have a Mccormack RLD-1 pre. After many hours spent in these forum I've decide that a tubed pre will best suit my taste. All sources go through a Levinson 360S. The main reason for choosing tube preamplification is the holographic soundstage the good one's claim to acheive. I've also considered the Pass X1 for this reason. Another reason is that I've noticed many successful systems use this combination of tubes and SS. Now, for those of you who have chosen a similar path, with a neutral amp, can I expect to reap the benefits of tubes, the 3-D image, liquid mids, etc, while maitaining SS control and a degree of neutality over euphonics. I so want a tube pre to ruin the benefits of resolution the 360S brings to the table. Thanks.
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