Thank you all for your opinions.
Tpsonic: I am using some very nice silver cables and do not believe there is but an infitesimal amount of definition let to be had from the RS-1b's.
Steelhead: You have solved my dilemna! My existing Infinity setup uses a Bryston 10B as a crossover and not the Infinity recommended unit which is a VAST improvement. I equally play jazz and symphony as much as Led Zepillin and Garbage so both spectrums of loudness and definition which you eloquently stated are needed. With the age of the Infinity system I have to believe that sooner or later components will need to be replaced and the large footprint is a consideration as this upgrade is being made to accomodate a room built specifically for audio and video.
My decision has been to go with the Vantage speakers and keep the Infinity bass towers. Before testing I believe a crossover at about 150 to the Infinity bass towers from the Vantage should render considerably more bass impact without compression. From 400 down to 150 the Vantage can hold the easy bass with it's own amplifier, and then the Infinity bass towers should dessimate the sound waves between 150 to 20 being solely driven by a Threshold S-500 Series II amp. The clean Bryston crossover being active will give the chance to blend signal strength in the bass region. I also utilize a Velodyne HGS-15 for the subsonic portion for the all important theatre experience with a crossover point at 80. It looks good on paper and tomorrow we will hear this unique setup!
Let me know how the Summits stack up for you Steelhead. For me the Thresholds amps give exactly the right combo between the tube and solid state feel for music. Straight tubes are just a little too soft for me, but whoooo are they musical. Thanks again.
Tpsonic: I am using some very nice silver cables and do not believe there is but an infitesimal amount of definition let to be had from the RS-1b's.
Steelhead: You have solved my dilemna! My existing Infinity setup uses a Bryston 10B as a crossover and not the Infinity recommended unit which is a VAST improvement. I equally play jazz and symphony as much as Led Zepillin and Garbage so both spectrums of loudness and definition which you eloquently stated are needed. With the age of the Infinity system I have to believe that sooner or later components will need to be replaced and the large footprint is a consideration as this upgrade is being made to accomodate a room built specifically for audio and video.
My decision has been to go with the Vantage speakers and keep the Infinity bass towers. Before testing I believe a crossover at about 150 to the Infinity bass towers from the Vantage should render considerably more bass impact without compression. From 400 down to 150 the Vantage can hold the easy bass with it's own amplifier, and then the Infinity bass towers should dessimate the sound waves between 150 to 20 being solely driven by a Threshold S-500 Series II amp. The clean Bryston crossover being active will give the chance to blend signal strength in the bass region. I also utilize a Velodyne HGS-15 for the subsonic portion for the all important theatre experience with a crossover point at 80. It looks good on paper and tomorrow we will hear this unique setup!
Let me know how the Summits stack up for you Steelhead. For me the Thresholds amps give exactly the right combo between the tube and solid state feel for music. Straight tubes are just a little too soft for me, but whoooo are they musical. Thanks again.