Lyra Atlas experiences


A few years ago, I invested in a Lyra Atlas cartridge / pickup. I have moved up, from Lyra Clavis in the early 2000s and Lyra Titan i later. The Atlas was expensive, but I have not looked back. Yet I wonder, can something more be done, to optimize the Atlas, in my system, and others. How can this remarkable pickup run its best. What are the best phono preamp and system matches. Should the system be rearranged. Have anyone done mods or DIYs to their systems to get the "reception" right? What happened? Comments welcome. You dont need to own a Lyra Atlas but you should have heard it, to join this discussion. Comments from the folks at Lyra are extra welcome - what is your experience.
Oystein
o_holter

Showing 4 responses by bpoletti

raul -

I have read numerous comments and opinions from you over the years.  Some seem reasonable, some interesting, some I don't necessarily agree with. 

I have owned to the Herron Audio VTPH-1 and currently, the Herron VTPH-2.  I have to disagree with your assessment, and description.  I'm not sure where you're receiving the design information or how your performing your own personal evaluation. 

IMO, there is no difference between the sound of the all-tube mm VTPH-2 section and the FET front-end loaded with 47k ohms for extra gain needed for the mc front-end to that all-tube VTPH-2.  No difference.  The FET front-end seems quite transparent and does not contribute a "signature" as you describe or it would be apparent when it is bypassed.  Therefore, to claim that the "sound" of the Herron is based on the FET section and that the tubes are compensating for the FETs is not accurate. 

And further to your post, and particularly toward Herron Audio equipment, I have heard nothing that more closely approaches the sound of a live performance than the combination of the Herron VTPH-2 and VTSP-3a(r03).  Nothing.  At any cost or availability. 

Can the Herron Audio components be improved? Probably. But IMO, nothing exists that is better. Nothing comes close is its cost.

Is there collection of electronics that actually fully replicates a live performance?  No.  All we can hope to do is get as close as possible.  We all have our own listening preferences, but in the end, nobody is actually performing in our respective listening rooms.



 
Raul -

I have nothing to hide in private emails that can't be said in this thread.  I have made my comments public regarding my opinion of Herron Audion equipment.  Those views haven't changed.  When you're going to retract your comments, then it should be made on the forum, not hidden in private email. 

The evaluation was easy. Use the same cartridge into both inputs (the MC input is loaded with 47K ohms) adjusting the preamp level to account for the differences in gain.  

You stated that the Herron Audio phono stage uses a FET section that has a distinct sonic signature and uses downstream tubes to overcome that signature.  But there are no tubes in the actual phono stage itself, just the MC front-end. 

Of all the owners and reviewers discussing the Herron VTPH-2 I've encountered and/or whose comments I have read, none have ever claimed to have heard a sonic signature associated with the FET MC front end.  To the contrary, I can't recall any that have claimed the unit had a signature at all. 

But you must be right.  Thank you for pointing out our failures and shortcomings. 

raul - Well, raul, you're wrong.  The FET stage is used ONLY for MC amplification.  Period.  The MM stage is all tube.  The FET stage just raises the input to the level where the MM section can optimally handle the signal.  The different tube complements are used to balance signal level.  This information is available directly from Herron himself in conversations with the owners of his products. 
 
The cited post says nothing about any differences between the FET stage and the MM stage except that the listener preferred the sound of his cartridge using the "infinite loading" available on the VTPH-2 MC input.  That would be through the FET stage.

Oh, but I momentarily forgot you're always right.  And you already said I can't hear anyway.
@o_holter I have been using a long-in-the-tooth Clavis DC on and off for years.  I have not experienced any woofer pumping in my system.  If I may make a suggestion (I'm assuming you are using sorbothane pucks in your HW-19) you might consider using a different Duro rating, maybe softer.  Another potential culprit might be the bearing.  An "oil change" and cleaning may help.  Check the best to see if there is any obvious wear that could be getting into the platter assy.

I used the Clavis DC briefly in my VPI HW-19/III (spring sprung, not pucks) until changing to a modified TNT and then to an Aries Extended.  Arms used include Premier FT3 with Sumiko Analog Survival Kit arm wrap, Jelco 750D and JMW Memorial 12.  Never an issue.