raul -
I have read numerous comments and opinions from you over the years. Some seem reasonable, some interesting, some I don't necessarily agree with.
I have owned to the Herron Audio VTPH-1 and currently, the Herron VTPH-2. I have to disagree with your assessment, and description. I'm not sure where you're receiving the design information or how your performing your own personal evaluation.
IMO, there is no difference between the sound of the all-tube mm VTPH-2 section and the FET front-end loaded with 47k ohms for extra gain needed for the mc front-end to that all-tube VTPH-2. No difference. The FET front-end seems quite transparent and does not contribute a "signature" as you describe or it would be apparent when it is bypassed. Therefore, to claim that the "sound" of the Herron is based on the FET section and that the tubes are compensating for the FETs is not accurate.
And further to your post, and particularly toward Herron Audio equipment, I have heard nothing that more closely approaches the sound of a live performance than the combination of the Herron VTPH-2 and VTSP-3a(r03). Nothing. At any cost or availability.
Can the Herron Audio components be improved? Probably. But IMO, nothing exists that is better. Nothing comes close is its cost.
Is there collection of electronics that actually fully replicates a live performance? No. All we can hope to do is get as close as possible. We all have our own listening preferences, but in the end, nobody is actually performing in our respective listening rooms.
I have read numerous comments and opinions from you over the years. Some seem reasonable, some interesting, some I don't necessarily agree with.
I have owned to the Herron Audio VTPH-1 and currently, the Herron VTPH-2. I have to disagree with your assessment, and description. I'm not sure where you're receiving the design information or how your performing your own personal evaluation.
IMO, there is no difference between the sound of the all-tube mm VTPH-2 section and the FET front-end loaded with 47k ohms for extra gain needed for the mc front-end to that all-tube VTPH-2. No difference. The FET front-end seems quite transparent and does not contribute a "signature" as you describe or it would be apparent when it is bypassed. Therefore, to claim that the "sound" of the Herron is based on the FET section and that the tubes are compensating for the FETs is not accurate.
And further to your post, and particularly toward Herron Audio equipment, I have heard nothing that more closely approaches the sound of a live performance than the combination of the Herron VTPH-2 and VTSP-3a(r03). Nothing. At any cost or availability.
Can the Herron Audio components be improved? Probably. But IMO, nothing exists that is better. Nothing comes close is its cost.
Is there collection of electronics that actually fully replicates a live performance? No. All we can hope to do is get as close as possible. We all have our own listening preferences, but in the end, nobody is actually performing in our respective listening rooms.