LONDON Decca, Tzar DST and similar cartridges


I have always been curious about these phono cartridges and the Stereophile review of the Tzar DST has heightened my interest. When I read about the peculiarities of these cartridges, I am put off from trying them. Can anyone offer persuasive reasons to try them and also provide real practical advice on how to make them work reliably?  Tonearm suggestions? Phono preamp suggestions? Damping recommendations? How badly do they grind out record grooves?  Any other words of advice? Thanks. 
kmccarty

Showing 3 responses by topoxforddoc

I have been a Decca aficionado since the late 70s. I still have my  Garrott Brothers Gold, an old Maroon and a FFSSMkIV C4E rebuilt by John Wright. The vintage C4E is just stunning, significantly better than my Garrott Brothers cartridge (retipped by John Wright). I wouldn't sell my C4E - it would be one of the things you would have to rip from my dying hands.

However, no matter how good the Decca is, it doesn't beat a 15 IPS master tape - no way. I have three 15 IPS 2 track R2R decks and some master tapes (some distribution masters and some safety copies). The 15 IPS tape just stomps all over the Decca (installed in a rewired vintage Hadcock 228 on a Platine Verdier with GT Audio Battery PSU) - no contest!
I spoke to John Wright on the phone and by email, when he rebuilt my FFSS MkIV C4E with a fine line tip. He told me to load it at 33k. hence I had Graham Tricker build me a TRON Seven Reference to match this. GT spoke to JW as well just to check before he built this for me. Great match and sounds fabulous. But just not as good as 1/4 inch 15 IPS master tape, but hey LPs are a lot cheaper :)
thuchan
926 posts
01-22-2017 5:34pm
Why going for a Zsar when you may enjoy the Neumann DST?

The only Neumann DST I have seen was built into an EMT headshell with the EMT diamond pin outs rather than the standard SME spare pin outs. Therefore difficult to use in anything other than an EMT TT and tonearm