LEDE fell out of favor in pro studio because engineers found that mixes did not translate well from one studio to another. If you look at the majority of pop/rock releases you'll see that they were recorded or mixed at several different studios. It is important that the work done at one studio sound substantially the same when taken to another studio. Mixes of songs done at LEDE designed studios failed this important requirement. Also remember that most pro studios use a combination of near field and flush mounted monitors.
LEDE does anyone subscribe to this?
Does anyone subscribe to the live end dead end concept. A lot of studios used this concept. Does anyone use it in their home?
Is it applicable or useful to dipole radiators?
I am building a listening room in my basement and looking for ideas on taming the sound of sheet rock. My room sounded pretty good (insulation on the outside walls and carpet on the floor) before I decided to have it meet WAF standards.
Is it applicable or useful to dipole radiators?
I am building a listening room in my basement and looking for ideas on taming the sound of sheet rock. My room sounded pretty good (insulation on the outside walls and carpet on the floor) before I decided to have it meet WAF standards.