KAB 1200 vs. everything else.


A few weeks back I asked Kevin of KAB USA what price level a fully modded 1200 competes with, and he thought somewhere in the 4500-5000 dollar price range. His reasoning was that the business concentrates on romantic reproduction rather than technical reproduction. It sounded plausible, but I am pretty new to analog playback. What do you think of this claim--Cheers
jmoog08

Showing 3 responses by pauly

Tvad, with all due respect you are expecting too much from the Technics. The KAB modified tables are fine tables, but by sticking on expensive peripherals (and I use the term peripherals loosely) like a 2K cart and 5K phono you’ll only end up revealing the SL’s shortcomings; hence your preference for your 3910.

I own two Technics tables myself – you can take them only so far and no more.

Cost wise an analogue setup is significantly more expensive than digital; sadly one has to both dig deep in your pockets on all the analog components and match these components carefully to have something that competes and beats a nice digital setup. That includes a topflight table.

Regards
Paul
Tvad, I agree with your comments as to what constitutes an analogue front end – table, arm, cart, phono cable etc. etc. Many folks ‘conveniently’ leave out items such as cabling and phono stages in their costing.

I mentioned earlier that you have to spend more an analogue than digital for analogue to start matching, never mind outperforming, digital. However, I found that the 5K mark is a threshold where a carefully assembled analogue front end will match digital and start beating it sonically. Disclaimer is that I do build my own amplifiers (pre, phono & power) and often purchase used, so the $5K number is relative.

I own two Technics TTs and like them, but I am somewhat surprised to hear that you use an SL1200 as basis for a $4500 analogue setup. Long story short, a cart will only perform as well as the arm that supports it will allows it to. An arm can only support a cart as well as the turntable which it resides on supports it. IMHO you have over-carted both your TT/arm and your phono stage.

I am not surprised you prefer your digital setup – I am sure I would also. However, you may think differently if you were exposed to a more evenly constructed analogue setup.

That said, the appreciation of sound is as subjective as anything out there. I’m always sorry to see somebody turning away from analogue, but what’s good for the goose is not always good for the gander.

Regards
Paul
12-26-08: Tvad ‘Pauly, I mentioned twice before in this thread that I have used an AT150Mlx in my analog rig. You wouldn't consider the $250 AT150Mlx "over carting" the Technics, would you?’

No I wouldn’t. The Dyna XXII on a SL is over carting and that’s what I was referring to. I think the 150 is a very good match for the SL.

12-26-08: Thus far, I have used a Benz Micro Ace, AT150Mlx and Dynavector XX II. Frankly, they all had strengths.

You cannot hear the XXIIs strengths on the Technics. A good hint of its strengths maybe, an improvement over the others, yes, but certainly not what XXII is really capable of. The XXII is too delicate an instrument for an SL to get the best out of it.

BTW, I did the same – I ran a Koetsu Rosewood on a Rega at one stage. My jaw dropped once I used the same cart on a better table. I simply couldn’t believe it was the same cart.

Regards
Paul