Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
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Same here 81563, the photography on Cobham’s solo is best I have ever seen !


acman and frogman , thanks for the Vanguard Orchestra clips , has some before , forgot how good they were .


frogman , I'm going all out to find an LP of Teddy's "Its About Time " , the music AND the sound is outstanding !

schubert  I appreciate your kind gesture and attempting to enhance my computer listening experience. Would a USB dac plug-in device enhance the sound or is it for storage of music ?Maybe a sound card upgrade like you did would be a good idea and a set of headphones or another set of speakers? but no matter how much I upgrade the computer listening system the bulk of my listening would be on the main rig which is about 2-5 hours a day.

pjwThanks. On that big band cut James Carter actually Cuts loose a little bit before the guitar player also had an excellent solo. And also an excellent solo from the accordion player unusual instrument not seen too much in jazz. JC's solo at the end of the cut makes the band smile with the sounds and technique gets out of the horn!
 I can't believe you I can't believe you listen to your main rig at 115 decibels. Do you actually measure that with an SPL meter? I am surprised your wife doesn't throw you out of the house. LOL. That is concert level sound.I commend you on your
Compromise regarding listening sessions. It's something I would not have to worry about as my dedicated Listening Room has a door which can be shut and if someone is down the hall in my TV room the sound does not not bother them .I am interested in JC's upcoming concerts but my girlfriend's birthday is the 15th and we have plans for the 15th and 16th so that leaves the 17th open possibly

frogmanI've been listening to Vincent Herring for a while always liked him. Especially liked that Caravan cut and the contributions from Jeremy Pelt and Danny grissett the piano player.
nsp go back and read it again I wrote minus 15db  or - 15db

I can go on the 17th to JC's Blue Note show. I'm getting tickets hope to see you there.
nsp I just watched the 20 minute clip of Mark Turner. He is definitely doing his thing. Great talent from all 4 of those "kids" - they all look under 35. I have to go to work now but will watch the other vids when I get home.
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pjw I did read your post correctly  the first time but thought it was a misprint.  now that I realize you were not referring to an S PL meter reading but the volume pot on a pre amplifier. One of my pre amplifiers has a number volume pot in decibels and the - 15 DB setting places the volume control at about 2 and 3 o'clock. Normal listening setting with this preamplifier is between 12 and 2 on the volume pot. Which is about 80 Db plus or minus using an SP L meter at my sitting position.
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https://youtu.be/F8jiQp5oDx4



WARNING , if you listen to this fasten your seat belts first ! Off the f...ing charts and headed to Mars .

You'll hear no better this day and as the soloist wrote it no other day either !
Schubert if you are insinuating that Grace Kelly is equally talented with an axe as Chris Potter I must respectfully disagree.

Everyone is entitled to their own opinion.

https://www.youtube.com/watch?v=FfuW_Q7LfCY


I do like Grace Kelly however, and watched your recent video's of her in full. 

I'm insinuating nothing . 

I am saying she is among  the most alive persons in  jazz and one of the best guides as to where and how it needs to proceed if jazz is to thrive and perhaps even survive .

I don't really care who is the best player , music is not for music's sake .It exists to uplift  humanity and make this valley of tears easier to bear . Grace is a great musician, she composes, teaches and brings sunshine wherever  she goes . Very few have as much to say in her voice or from her saxophone (to my knowledge she has no axe ). She says I'm alive, you are alive, lets LIVE  !  That's talent of the highest order .


Phil Woods didn't pass his hat to her for nothing .



 

 

Schubert I think that Grace Kelly is everything you stated and more. Her enthusiasm and happiness is easily apparent. I was not aware that she was a student of Phil Woods.

She reminds me of the great Japanese piano player and composer Hiromi Uehara whom I have seen live in person. Same happy exuberance when playing her instrument.
https://www.youtube.com/watch?v=qXsuPkyFQuQ

https://www.youtube.com/watch?v=qj5h35t86T0

Another great Japanese musician. She does not wear her happiness on her sleeve like Hiromi or Kelly.

Erena Terakubo:
https://www.youtube.com/watch?v=0qncDawVs-o

https://www.youtube.com/watch?v=ogHfuh3K9s8

Erena’s mannerism on stage reminds me of, well, Chris Potter!

Although on this album cover she looks great:
https://www.youtube.com/watch?v=x740WEWMQRQ



acman3Excellent Mingus big band picks. I have all three albums. Thanks Minges lives on!!!

It is better to show the world you are happy if that is who you are .

Some of us , like myself . are not easy with that . Chris Potter, like me , looks like his wife left , his kid is in the hospital and both of his dogs just died .

Erena. like Chris, is a wonderful player, I love her . But there are horses for courses , in the US Grace will win the Triple Crown and those like me won't even place .

In every study I have seen Jazz and Classical combined  are listened to by 5% of our population . Look on here , a hundred  old  guys are fighting over what the best Heavy Metal band was 40 years ago .and  you and me over  the visage of two great players .

There is a war going on against serious music and people like Grace are our heavy artillery .  If she was not as authentic as she is , she'd be a lowly infantryman with a pop-gun .


Phil Woods , Lee Konitz and Frank Morgan  were all Mentors to Grace .

And all three of them were what is expressed in a German Word .

mensch, " a person of integrity and honor "  Oxford College Dictionary





acman3Xlent. That's Lee Morgan's" Bluesanova".  I first heard Cory Weeds on my cable TV jazz music station.   I found that live at the Cellar cd on Amazon and have  on my short list to buy. Can'tgo  wrong with
Terell Stafford and the veteran Harold Mabern in the group.
Very nice Cory Weeds!

Among the more established young players, one of the most original and distinctive voices on the alto today. Puerto Rican player whose sound and style don’t scream Cannonball or Phil Woods. Interesting blend of jazz and his Caribbean roots:

https://youtu.be/gSpElaEwR1s

https://youtu.be/FZ7ERshGaH0

https://youtu.be/6qsz274yZPY


A historical group for jazz, THE first Afro-American group to ever get a network radio show and that in 1930! The CEO of CBS overruled all
else after hearing one song on the phone ,no less, with the comment "I know genius when I hear IT" .

Surely one of the greatest American groups with the blend only siblings can do.


https://youtu.be/NvJ3eHsslqM Starts slow . in WW II I remember "Till Then" 09 at 30.41 being played

every day and usually several times . I believe there biggest hit was Paper Doll 46.26 .

They sold over 50 million records during hard times in a nation of 120 million .









T

frogman , there is no doubt there is no shortage  of great young players. I've been particularly impressed with the kids out of North Texas for some time .

But wild women  stuff like Kelly did in the Berklee post I made is going to get more audience than the brilliant Cherokee Alex Hahn did .

Got to start somewhere .

Shubert I don’t think jazz will ever come close to the popularity it once had. Great performances live, as you have pointed out, will help but the younger generation has to be at these shows to begin with.

As far as jazz being main stream to the masses, which will never happen, here is a man that since I started posting here I have never seen mentioned and he pulled it off with this song:

https://www.youtube.com/watch?v=4IyXo9jL7Vc

From Wiki:
Leaving military service, he worked in New York City before returning to Chicago where he signed a contract with Vee Jay Records. His first album for Vee Jay, Exodus to Jazz, included his own jazz arrangement of Ernest Gold’s theme from the movie Exodus. A shortened version of this track, which featured his masterful playing in the upper register of the tenor saxophone, was heavily played on radio and became the first jazz record ever to be certified gold.
The single climbed into the US Billboard Hot 100 and reached No. 16 in the U.S. R&B chart. Some jazz critics, however, regarded commercial success as a sign that a jazz artist had sold out and Harris soon stopped playing "Exodus" in concert.[3] He moved to Columbia Records in 1964 and then to Atlantic Records the following year where he re-established himself. In 1965, Atlantic released The In Sound, a bop album that won back many of his detractors.


I have the Exodus to Jazz disc and quite a few other Eddie Harris recordings including this gem at Montreux with Less McCann on piano:

https://www.youtube.com/watch?v=_UrjQSVbIkk&list=PLm7ogPYlDbGyVNmwz2txcpKuDKk4opeVH

Strange frogman , I heard  Eddie Harris Saturday on our jazz station , which according to Nielsein (?) has the biggest audience slice in the USA . Was going to find some Harris to post . "Compared to What " is absolutely fabulous ! Like a steam engine coming down the MAIN track at 110 mph .

I have some de-facto family Chinese students at U of MN in my condo complex .They and American kids can get out thousands of people on "smart" phones in a hour . I had them watch Grace at Berklee on my 55" off their I-phone and without telling them to they were at it right after .she finished .I hear she got a big audience at the Twin Cities Jazz Fest last Friday .

I think Jazz could get up to 10% in US , the last Classical concert will be in Tokyo .


I grieve for the swing era not for the music but for the difference 70% of the nation being on that same musical page made in all aspects of life .

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Eddie Harris was a genius.  Lots posted here early on; and, in fact, I would venture to say that “Compared To What” has been posted here more times than any other single tune.  Don’t have the time to dig it up right now, but there is video on YouTube of that very live performance; definitely worth checking out.  For me, Benny Bailey’s trumpet solo has always been at the top of my list of most exciting Jazz solos ever.  
Btw, thanks for mentioning Eddie Harris, pjw. He and players like Hank Crawford gave birth to a groove-based style of saxophone playing that all the Smooth Jazz pin heads (known to some jazz players as “mosquitos” because many sound like the buzz/whining of mosquitos) would emulate.   It was all about the groove without having to scream:

https://youtu.be/CsHtO_i4qzM

https://youtu.be/kf7FB4ilX5w


https://youtu.be/kCDMQqDUtv4

Apology to all Smooth Jazz saxophone players for the “pin head” comment.  Just me; can’t stand that style of playing.  
Best LP: Cannonball Adderley Quintet (Live) In Person with Nancy Wilson and Lou Rawls.
Best track: Somewhere (Lenny Bernstein).  Amazing. 

Best single: Skating in Central Park, Modern Jazz Quartet.


frogman no apology necessary on smooth jazz as far as I am concerned.. I cant stand it either. And thanks for locating the live "Compared to What"
I have "Compared to What" on my Less McCann Eddie Harris live at Montreux (Swiss Movement) disc. Every song on that album is awesome.

I would also like to point out another "crossover" favorite of mine - Eddie "Cleanhead Vinson. Jazz - R & B - Blues, Boogie and Bebop. And Cleanhead can play the sax pretty darn good and sing as well.

https://www.youtube.com/watch?v=acrN-CRL-SE

https://www.youtube.com/watch?v=fBkwd3hFgrc

https://www.youtube.com/watch?v=eFnQHVxcjuY

https://www.youtube.com/watch?v=uFWmaPpNihQ

https://www.youtube.com/watch?v=QdmmbBKjn5E

There is another tune called "Traveling" on the "Blues Boogie and Bebop - Meats to High" album I have that is a 7 minute instrumental which really shows off Eddies prowess on the sax but I cannot locate it on You Tube.

Cleanhead with the Cannonball Adderley Quintet from 1962:

https://www.youtube.com/watch?v=cHgeiAQwWDA
Here is another under 60 sax man - Steve Coleman. I had posted some links from him many months back but received no replies. I figured maybe because his playing is either Avant Guard or a hardbop/ Avant Guard mix similar to Jackie Mclean's "Destination Out!"


Jackie Mac:
https://www.youtube.com/watch?v=VQL9_8aRqls

https://www.youtube.com/watch?v=MohtYWzEkOg

Steve Coleman:
https://www.youtube.com/watch?v=zFPjZXWkq6g

https://www.youtube.com/watch?v=ceIVYwaNIyY

Any Steve Coleman fans out there?

There is one more . Ideal combo of technique with something to say . You guys are gonna break my piggy bank .


Today I went  on my monthly pilgrimage to Barnes & Noble to pick up the recent issue of  my Bible , "Gramophone"  .

As of late I have also been buying "Jazz Times " . The June issue is "A Special Saxophone Issue" .

Cover picture is "Chris Potter , The Quiet Virtuoso" , another blurb on cover  is "Seamus Blake, The View From Paris " .

Thought at least 2 guys on here might be interested .

Schubert I'm glad you enjoyed the Steve Coleman clips.

Potter is definitely a quiet virtuoso. I first saw Potter live with Herbie Hancock at Carnegie Hall in 2007. He does not exhibit much emotion on stage but he sure can play a mean tenor.

No doubt about that .

Does anyone else get Christian McBrides   npr radio show "Jazz Night in America " ?  On Tuesday at 7PM on local jazz station in Mpls.

Like his playing it is very good and covers a lot about music in general .

Smart guy.

Who in the hell is doing the percussion  on "The Electrifying Eddie Harris"  etc   Fantastic work !