We now have comics in St Louis and Croatia. They shouldn't quit their day jobs.
Cheers
Cheers
Jazz for aficionados
Oh. I see. Feeding the chickens on Manhattan? And I thought I saw all... Here you are. https://www.6sqft.com/raising-chickens-in-new-york-city-laws-tips-and-everything-else-you-need-to-kn... No need to thank me. |
Today's Listen: Manhattan School of Music Afro-Cuban Jazz Orchestra -- I QUE VIVA HARLEM Notes: A brief over view of the history of East Harlem and it's musical heritage, with Mario Bauza figuring prominently in both. "The Manhattan School of Music Jazz Arts Program, one of the first conservatories in the U.S. to acknowledge the prime importance of Jazz as an Art Form...." Now, this is 'Fusion' we can all love. https://www.youtube.com/watch?v=3_sEk1rDGHs https://www.youtube.com/watch?v=8IA8ZJREg0U https://www.youtube.com/watch?v=xJhsLWy7xas https://www.youtube.com/watch?v=sFkdZ6M2Fwc Cheers |
Generally I do agree, one should not think about it, I just wanna make sure that it does not sound judging. There is a thin line to that, you know... As for softness, for my own preference, perhaps I would prefer that she shows it for more. You pointed that right, do you read one’s mind (?), theatricality do bothers me. Janis had much of all that too, true, but from what I have watched of her, she was rough and soft at the same time, I could not see anything pouring out in any direction. With Hart I do. As for sexy as heck, she is interesting but not sexy to me. For instance, we recently mentioned Sade who I find to be sexy. But again, it’s the matter of preference. |
.https://youtu.be/yxDZjg_Igoc?t=3 The jewel of the Great Anglican Carols sung by a devout Christian Women . |
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It is not the listener’s responsibility to worry about protecting the artist that way, IMO. Be free to not like an artist or have mixed feelings; but, that is different than “judging”. From your description it’s pretty obvious to me that she pushed some buttons for you. For an honest performer, that is getting about 3/4 of the way to the goal. Worrying about whether listeners will “like” them is toward the bottom of their list. Why should she have more “softness”? She is tough as hell and can exude a very raw attitude with a little theatricality, I get what you might be feeling about her. For me, it’s a Janis Joplin like Rock and Roll sensibility. I know that for me that part of my reaction to her attitude is that I am a man and she is a woman. Women are not supposed to be so rough, right? On the other hand, I think most men, if honest, would say they find it sexy as heck. |
...sometimes I feel like "who the hell I am to talk about the way one performs". About what one should do or do not. Love it or leave it. But really, where are the boundaries, what one should comment without possibly interfering or behaving poorly towards the performer and his hard work at the same time. https://youtu.be/g0oLYCdoDC8 |
I mispelled her name at the beginning. Not respectful thing to do. This forum waves with it’s non-editorial rule mercilessly. Cool it... Fro, I did not give up on her, it’s just hard for me to embrace her in full, can’t quite sure why. Incredible talent she has but I think I need more softness to be seen from her. Maybe she’s playing too tough for my taste. Although what yells from inside (in regards what she has gone trough) indicates something else...Anyway, thank you fro for your answer, I appreciate it. |
Love Beth Hart, mary_jo. Thanks for posting that KC Honors clip. I posted that clip a while back and so glad to hear it again. I like your description of her. She has a lot to say; no doubt due to things she has had to deal with including years of drug addiction. She can be sexy as heck. That solo by Jeff Beck kills. Speaking of having a lot to say, a great example of saying so much with the fewest words (notes). |
Who is Bett Harth? Anybody singing the blues is in a deep pit, yelling for help,” Mahalia Jackson once remarked. And if anyone can relate to that remark, it’s Beth Hart.https://www.goldminemag.com/articles/for-beth-hart-is-better-the-second-time-around Beth at Kennedy Center https://m.youtube.com/watch?v=fALdOkf_eCM She seems to be full of internal and external energy, like a woman that has something to say...But in a way her singing makes me nervous, I cannot place her anywhere (?) and I wonder why. Help me. |
Boston Pops, “Twelve Days of Christmas” : I would agree. Brilliant! Brilliantly executed and because it brilliantly taps into an aspect of the personality of Christmas that I think gets lots on some. Joyous time that doesn’t have to only be serious because of the seriousness of its most important meaning. The orchestra and chorus sound fantastic. Thanks for that. |
"Little Niles" is a tune that I first heard in 1957, that's a long time ago. Since then I've heard various versions that I liked. "Little Niles" was just a name that had no meaning until recently https://www.youtube.com/watch?v=UY8oOeqodSk Lambert and Ross "Little Niles" https://www.youtube.com/watch?v=uZzJUssQxbg According to that "Little Niles" is a little boy. Now we get to the present; little Niles was little in 1957, maybe 6 or 7; so how old is little Niles now? "Little Niles" is Randy Weston's son, Randy Weston was inspired by his childish antics to write the tune. |
It seems that when you blend the old with the new do you get something that my ears can truly appreciate. I must have this, is it on record? https://www.youtube.com/watch?v=l3qc1DkfFsU |
For the record, it is pwj, who was lucky enough to see Allison Miller live. I have only heard her music on my local music station, and have her on Tidal to stream. I like most of her music, but the Glitter Wolf record is worthy of a top 10 on most year end list. The members of her band are very talented. https://www.youtube.com/watch?v=5exIWnr1kVI https://www.youtube.com/watch?v=7n3fMcQYO64&list=PLhkZdn5zZfkL9rtpA27WsZqNGSSAAHhrC https://www.youtube.com/watch?v=Y3fHB87etOk |
orpheus10, Here is another rendition of "Backtrack" live at Ronnie Scotts: https://www.youtube.com/watch?v=H71xDtzzhsI The guitarist, Jonathan Kreisberg , is also on the Brooklyn date. Give Kreisberg a listen. He is seldom mentioned here and is an upper echelon guitarist for sure. Here is one from him: https://www.youtube.com/watch?v=s5WXa_B37LY |
I thought I should answer somethin’ on that mankind theme, but...so many posts in between. I am late. Not that I have something smart to say...:-) https://www.youtube.com/watch?v=WV53dWisQBw |
Pjw, it seems we have similar aesthetics when it comes to music. I like "Back Track" by Dr. Lonnie Smith; this is very unusual music that combines many different things, two drummers for one. Acman, I'm still listening to "Tic Boom". I think the fact that you have seen and heard some of these artists live gives you a different perspective, and if I had experienced that, we would have the same view. |
It would seem to me that Dr. Lonnie Smith likes Allison Miller and vice versa. Another live performance in Brooklyn where the Dr. hired 2 drummers - Allison Miller and Joe Dyson. This music is a lot different from Millers Boom Tic Boom band but she is proficient in both of the very different styles. https://www.youtube.com/watch?v=l3qc1DkfFsU |
Since Christmas is upon us, thought I would mention three Christmas jazz recordings that I turn to every year. Jingle Bell Jazz - A Columbia Records collection of jazz tunes recorded over a year's time by such luminaries as Duke Ellington, Lionel Hampton, Chico Hamilton, Dave Brubeck, Herbie Hancock, and Miles Davis. Teo Macero produced jazz recordings by these and a few other folks during 1978-79 and insisted that each produce one jazz number that was holiday related on each release. These were then collected on this record in 1980, released in stereo. Wonderful stuff here. A Swinging Christmas - An Ella Fitgerald compilation of non-religious music popular during the 50's, released in mono in 1960. I bought this last year from Barnes & Noble online, who were featuring these old original pressings (wonderful vinyl quality). Don't know whether the same holds true this year. Nothing revolutionary here, but just good swing and ballad vocalizing of some seasonal classics backed by the Frank DeVol orchestra. A Charlie Brown Christmas - Yes, it is easy to forget that the soundtrack for this ever-popular tv program is original jazz, partly composed and partly improvised by the Vince Guaraldi Trio. And if you just sit and listen to it, it is decent jazz (apart from the now universal story-line.) |
Acman, there is a world of difference between a recording and a live performance; you can see and feel where the artist is coming from, that changes your perspective. I don't have that option. One thing I can say about these new artists is that all of their albums seem to have a high recording quality. It will be good not to have that concern anymore. Here is the list I'm looking at right now; https://www.latimes.com/entertainment-arts/music/story/2019-12-11/best-jazz-albums-2019 If you see anything, let us know. |