No thanks needed. It is interesting and kept the thread alive...
I thank you because i learned a lot...
I am silent as many others but we read the posts ...
Thanks to our fellow jazz thread regulars for indulging us, here.
Jazz for aficionados
@stuartk, mahgister, curiousjim, tyray @stuartk Thank you for the list. I will dig into it. @everybody else This three minute recording of Coleman Hawkins playing Body and Soul, according to the Jazz series, is supposed to be the first time a jazz soloist has established a melody and then left it behind and created a remarkably beautiful improv. Previous jazz masters would always return to the melody. Coleman Hawkins must have influenced Coltrane on his improvisation on "Favorite Things," my favorite Coltrane piece. I do not understand the intricacies of music, but this sounds to me that it requires more virtuosity than "Love Supreme," but not as much soul. This is my favorite period in jazz: |
Perhaps @frogman will opine on this topic... |
@stuartK, Yes, the distinction between soul and virtuosity. On the Jazz series, they talk about Billie Holiday's lack of a strong voice. Her range spanned just a little more than one octave, where other singers might span three octaves and have a more "pure" sounding voice. Holiday's had deep soul. I have heard that also discussed with classical musicians. Horowitz was much loved by classical music lovers, but he was not supposed to have had the strongest technical abilities. I heard Itzak Perlman interviewed and he said that the most difficult students to teach are those with the strongest technical ability. It is hard to teach them the emotional aspect of music. |