Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

mahgister, thanks for the music!

stuartk, I have a lot of Ella Fitzgerald, Sarah Vaughn, and Billie Holiday albums. They often don't improvise except in the way they interpret songs, like Frank Sinatra. No doubt, Fitzergerald can scat with the best of them, but she doesn't always feel the need. So, I don't think improvisation is a necessary attribute of jazz. BTW, I think you didn't like Tania Maria, but she can scat like nobody's business.

I went to hear Kurt Elling sing last year. He uses his voice as a jazz instrument. I knew it was true jazz because my wife couldn't stand it.

@audio-b-dog 

I think the misunderstanding here lies in the term "interpretation". Because it could conceivably apply to such a wide range of scenarios, from very subtle shifts to quite dramatic re-conceptualizations/re-harmonizations, it’s fairly useless. Perhaps the term "invention" might better point to what Jazz improvisers do that goes beyond "interpretation". 

If you define Jazz vocal improvisation so narrowly as to only include scatting, then you and I have quite different perspectives. 

What a shame that your wife doesn’t share your enjoyment of Jazz. I’m very lucky; my wife and I have very similar aesthetic tastes across the board. Using one’s voice as an instrument is certainly one aspect of Jazz singing. I don’t believe Sinatra could accurately be described in such terms but no doubt, some would disagree. 

 

stuartk, I don't define jazz vocals as scatting. Billy Holiday does not scat on the records I have by her.

I think where we're diverging is that I like to be lost. I like to pose questions I can't answer, and I don't feel the need to know the answer.

I spent 10 years writing a novel about a Holocaust survivor who had been an assassin and could no longer love. I was in uncharted territory (this was about twenty years ago) and loved being there. I like research. I am now working on a book asking a question which I don't think anyone else has ever asked, and I have no definitive answer. I feel like an explorer.

I have no answer about jazz, either. I just wanted to hear what other people thought. And apparently other people have more definite ideas than I do. So far, I'm kind of taking from all this that perhaps thinking in musical genres is not such a great thing. 

I received my copy of of Antonio Jobim's bossa nova album Wave the other day from discogs. The 1967 Pitman pressing in pretty good condition sonically and materially. Amazingly surprised by just how rich and deep the sound stages on this album musicians are pinpointed across the stage with both depth and breadth and the musicianship and songs are superb. Someone over on Reddit recommended this album so I decided to buy it sound unheard and I'm very happy I did!