I own both the Node 2i (not currently in use) and a more expensive DAC/streamer (the Matrix Element X). FWIW, these 2 DACs have shown up at nearly opposite ends of the ASR measurements, Matrix near the top and Bluesound near the bottom.
vhttps://www.audiosciencereview.com/forum/index.php?threads/review-and-measurements-of-matrix-audio-e...
(you may be able to find more recent versions of this chart)
I would not attribute a "jaw dropping" SQ difference to the DACs, per se.
However, I do experience a jaw-dropping SQ difference by adding BACCH4Mac software processing to my system. The Intro version costs $980, plus the cost of a Mac computer to run it on (which I already owned). I don't think there is any way to feed BACCH4Mac output into a Node 2i because you'd need a USB connection (which the Matrix Element X does support).
BACCH4Mac manipulates the audio signal in the time domain, so it isn't quite like room correction software. It purports to minimize/eliminate crosstalk. The effect isn't as dramatic on all recordings, but on some, it can rather dramatically widen/deepen/heighten the perceived soundstage. For example, a performer who seemed to be near your left speaker without BACCH might seem to be performing as much as several feet away from the same speaker with BACCH. The effect, I think, is likely to be much more dramatic than the effect of any new cable or DAC chip.
vhttps://www.audiosciencereview.com/forum/index.php?threads/review-and-measurements-of-matrix-audio-e...
(you may be able to find more recent versions of this chart)
I would not attribute a "jaw dropping" SQ difference to the DACs, per se.
However, I do experience a jaw-dropping SQ difference by adding BACCH4Mac software processing to my system. The Intro version costs $980, plus the cost of a Mac computer to run it on (which I already owned). I don't think there is any way to feed BACCH4Mac output into a Node 2i because you'd need a USB connection (which the Matrix Element X does support).
BACCH4Mac manipulates the audio signal in the time domain, so it isn't quite like room correction software. It purports to minimize/eliminate crosstalk. The effect isn't as dramatic on all recordings, but on some, it can rather dramatically widen/deepen/heighten the perceived soundstage. For example, a performer who seemed to be near your left speaker without BACCH might seem to be performing as much as several feet away from the same speaker with BACCH. The effect, I think, is likely to be much more dramatic than the effect of any new cable or DAC chip.