Is my anti-skating too strong.

As your alignment may be off start again. Zero antiskating for alignment, when finished with that apply small side force and see how it goes from there. Normally little is needed. Practice it.

G

Millercarbon hit the nail on the head. Whenever you do anything to the arm except adjust anti skate you neutralize the anti skate.

@ozzy62 , I beg to disagree. Zero anti skating never sounds better but too much is just as bad. In the absence of an accurate measurement device such as the WallySkater or my Gizmo (see my system page, last picture) the anti skate should be set so that the arm drifts slowly towards the center of a groove less record. You can also use the runout area if you are quick. 

As I was writing the post I realized that it was a “duh” question about disabling anti-skate.  MC’s thoughts on the amplitude of the test track make sense and will be factored in.  Anxious to get back to work and will give no antiskate a try as well. Thanks for the input

MC's thoughts are a minor consideration in thinking about the magnitude of the skating force.  The most important cause of the skating force (after friction) is the tracking angle error, which is varying in terms of degrees of angle, all across the surface of an LP.  And it is never zero, for any of our conventional pivoted tonearms that have an offset headshell, even at the two null points you can achieve if you align the tonearm according to any of the known algorithms. 

The movement of the stylus in the groove generates a friction force.  If the vector direction of that force were to be straight back along the cantilever, and if the cantilever were to align with the arm wand going all the way back to the pivot, there would be no skating force, regardless of the tortuosity of the grooves or the ups and downs of the music signal.  But that never happens with our pivoted tonearms; there is always an angle of error.  That generates the side force.  If you want more on this subject, I will try to help, but otherwise, I don't want to put anyone to sleep.  Think of the little red wagon you had when you were a kid. It had four wheels and a pull handle that was attached to the axle of the front pair of wheels.  Remember what it was like to try to keep the wagon alongside of you while you dragged it down the street?  There was an aberrant side force that you had to correct for. That's the same idea as skating force.

OMG sorry but it has nothing to do with the angle of the cantilever. The skating force that pulls the arm towards the center is a result of not being tangential. It has nothing to do with the offset angle of the head shell, or the cartridge, or the cantilever, or the stylus, or any of that.

This is why linear trackers are also tangential tracking. A pivoted arm would have zero skating force IF AND ONLY IF it is tracking tangentially. But since the arm is pivoted this can happen only at one point.

Turntables and tone arms are actually childishly simple devices, literally as simple as a teeter-totter. You just have to stop and look at them closely to see what is going on. Please, please, PLEASE do that, and not get too caught up in other peoples stories about what is going on.