Go pro audio and all your problems disappears. All modern music production are done on computers.
Is computer audio a bust?
In recent months, I have had several audio acquaintances return to CDPs claiming improved SQ versus their highly optimized computer transports (SS drives, external power supplies, etc, etc).
I wanted to poll people on their experiences with computer "transports." What variables have had the most impact on sonics? If you bailed on computers, why?
I personally have always believed that the transport, whether its a plastic disc spinner or computer, is as or more important than the dac itself and thus considerable thought and energy is required.
I wanted to poll people on their experiences with computer "transports." What variables have had the most impact on sonics? If you bailed on computers, why?
I personally have always believed that the transport, whether its a plastic disc spinner or computer, is as or more important than the dac itself and thus considerable thought and energy is required.
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A dedicated server and Roon should be enough to cure most people of the desire to go back to CDs. Ever since I started streaming wirelessly back in the early 2000s (using iTunes as interface), the thought of going back to plastic spinners has never entered my mind. Roon is iTunes 2.0. Just incredible. |
I held off upgrading my computer audio til something made it worthwhile. It has. I stream my own flac files from a NAS, but find myself listening to thousands of flac files from Tidal now. NAS or Tidal wireless to Ethernet switch, optical isolators, AQ Ethernet cable to Sonore Microrendu with ROON core on sonic orbiter. To Shiit Yggy DAC to Cary SLP-05 preamp to BAT Rex II Amp to Dali Helicon 400 MKII speakers. I compare this with my vinyl from Music Hall MMF 9.3 TT. The streaming files are REALLY close to the vinyl. |
I held off upgrading my computer audio til something made it worthwhile. It has. I stream my own flac files from a NAS, but find myself listening to thousands of flac files from Tidal now. NAS or Tidal wireless to Ethernet switch, optical isolators, AQ Ethernet cable to Sonore Microrendu with ROON core on sonic orbiter. To Shiit Yggy DAC to Cary SLP-05 preamp to BAT Rex II Amp to Dali Helicon 400 MKII speakers. I compare this with my vinyl from Music Hall MMF 9.3 TT. The streaming files are REALLY close to the vinyl.Well good for. Sounds like a page out of the Minerva playbook which was well documented on WhatsBestForum. I now use a custom Intel NUC built by Minerva Audio out of Canada which is a competitor of Sonore. Beautifully fabricated with a top notch switching made by a Japanese medical instrument company. I run Roon off of my iMac along with HQplayer with DSD 256 up sampling to an ethernet switch, optical isolation, etc. Sounds very good. CD spinners are a thing of the past unless you are a geriatric technophobe. |
I think AOIP (audio over ethernet) is the biggie here. USB is simply terrible for audio period! I have found at my cost it is the big bottleneck to PC audio. Look at a RedNet 3 and feed it from a decent optimised PC or Mac and you are done. Beats any CDP for sure.I believe that is by and large true. However, much of the USB receiver implementation in most dacs is poor. Proper galvanic isolation, separate power supplies, and even a batboy USB cable goes a long way. Sonny Anderson at Phison has achieve this by and large: http://www.phisonaudio.dk/home/ A step beyond Vitus, Merging Technologies, etc IMO. A well designed dac should theoretically be impervious to input issues when properly engineered. |
Its Mivera Audio for those interested: http://www.miveraaudio.com/ |