Generalizations probably won’t work here. I’m in the US and feel that the bang for the buck on my Slovenian Kuzma Stabi S is tough to beat by a US manufacturer. Conversely I don’t know anyone abroad making a phono stage that competes with the US-made Herron’s performance at the same price point.
Like most things in audio, "value" can’t be assessed by looking at foreign transaction fees and tariffs alone. Any manufacturer who cant compete on the world stage will have a much smaller market. The market afterall is the ultimate arbiter to your question.
Like most things in audio, "value" can’t be assessed by looking at foreign transaction fees and tariffs alone. Any manufacturer who cant compete on the world stage will have a much smaller market. The market afterall is the ultimate arbiter to your question.