Ron, I can’t help but think you’ve missed an important point here. The real reason to want audio gear that makes music sound very similar to how it sounded in the convert hall (unamplified) is NOT so that you could confine your listening only to classical music. I’ve heard a lot of classical music in concert halls, but my home listening is at least 40=-50% other things.
The reason to get that kind of gear is that the hardest thing for audio gear to get right is the tone and timbre of physical, non-amplified instuments (ie, violin, french horn, cello) & the human voice. Gear that is designed and constructed to do that well, will also make everything else sound as good at it can possibly sound. Gear like this uses the best acitve & passive parts; pays attention to circuit layout & grounding; and is "voiced" to sound very good, not just to measure well.
I just finished listening to several hours of heavy funk/R&B music from the past 50 years on a system I put together to produce music of great purity and timbral accuracy (DAC is MHDT Labs Orchis w/tube output buffer; preamp is Violectric V281; amps are Bel Canto class D monoblocks; speakers are Harbeth 30.1s; subwoorer is JLAudio e110. I can blow the walls down with this home office system, and it sounds amazing. But whenever I dial it back and listen to low volume choral and classical music, it sounds exactly as that music should sound.