How important is the pre-amp?


Hello all,

Genuine request here for other's experiences.

I get how power amps can make really significant changes to the sound of a system. And of course speakers have an even bigger effect. And then there is the complicated relationship between the speaker and power amp. But I wonder about pre-amps.

In theory a well designed preamp should just act as a source switch and volume control. But does it add (or ruin) magic? Can a pre-amp color the sound? Alter pace and timing? Could you take a great sounding system and spoil it with the wrong preamp? Stereophile once gushed (while reviewing a preamp that cost as much as a car) that the preamp was the heart of the system, setting the tone of everything. Really? Some people don't even bother with a preamp, feeding their DACs straight into the power amp. Others favor passive devices, things without power. If one can get a perfectly good $2K preamp, why bother with 20K?

What your experiences been?
128x128rols

Showing 4 responses by unsound

It would seem to me that attenuation would be best implemented remotely at the input of the amplification stage and all other control duties be placed further upstream.
As far as “standards” go; it would seem to me that if amplifier manufacturers would adapt a standard for single ended input sensitivity of say between 2 V (CD) and 2.2 V (HDCD) and a balanced input of between 4 V and 4.4 V for full power output, it would go a long way towards making direct connection from digital sources, more accessible. This would permit full range of the volume controls and reduce the risk of bit stripping, especially with the now ubiquitous digital sources with extra bits that can be applied for this very function. Doing so would reduce the amount of cables and the corresponding concerns being attributed to them.
Addendum; Another consideration would be to include volume controls at the input of the amplifiers (this would probably require remote control) so that full output would be driving the full length of the cables.
And yet another consideration would be, at least for Class D amplifiers, to have digital inputs. From which a conversion of PCM to PWM would take place, and thus eliminating the traditional DAC altogether.