In my opinion this one the greatest improvements in audio in 40 years. AA is full of discussions about it, but there has been nothing here. Maybe that a $575 tweak is beyond Audiogoners?
This thread is a fascinating example of the psychology of audiophile marketing. As audiophiles we're always looking for ways to improve the performance of our systems and our enjoyment of listening to music. I have no doubt that carefully cleaning combined with using top flight media and high quality burners will improve the sound of regular stamped CDs. Unfortunately, there are people out there who are all too willing to cloak the process in mumbo-jumbo and charge high prices for what are effectively off the shelf products. As a group we need to be vigilant and ask tough questions from any manufacturer who makes bold performance claims without detailed technical, mainstream science explanations.
Just started reading this thread and thought I would point out that Arnie Nudell told us about the sonic benefits of duplicating on to black CDRs back in 2002 or there abouts. Here is a link to his company http://www.genesisloudspeakers.com/ go to the download page and click on the "black CD saga" paper. I've been making black CD copies for years - makes a big difference on my system. This may be old news to many of you but thought I would toss this into the mix.
There are questions about whether there is value added by Reality Check, I have no idea what other questions you have in mind in your last sentence.
Mr Louis is a very poor advocate for his product.
I have just burned 10 more cds and will probably do more this weekend. Would you have me destroy my unit? Or say that I am wrong about its benefits? If so, you are out of luck.
Tvad, yes I saw it. Unless the IO Shop unit is far superior to my Mac duplicating a cd, however, Mr. Louis must be doing something further to the unit.
Counting the number of posts here in the last month regarding realitychoke (which is 0 incidentally), it stands to reason that the best discussion is elsewhere. Conclusion: no one is interested.
Splaskin, this is what George Louis emailed to me. "RealDisc™ doesn't eliminate or replace the need for ClearDisc™ except for treating purposed when a disc isn't inordinately contaminated with dust and fingerprints." I think you are saying the same thing. When I get RealDisc, I think I will need to use ClearDisc to remove ClearBit on the originals that I have copied and then apply RealDisc to both flat sides.
New uncopied originals need only be cleaned with RealDisc and then have ClearBit applied to the rims.
The blank CDRs then are cleaned only with RealDisc followed by ClearBit. I assume that I need to make all new CDRs.
Splaskin, from all indications you are correct. Apparently there are still instances where you use ClearDisk. It sounds like you use RealDisc to clean off old ClearBit on originals. I assume that you then reburn copies on which you do not use ReadDisc. Correct?
ClearDisc is now used to clean off previous applications of ClearBit on the origianl CD. RealDisc is far superior to ClearDisc. ClearBit is now used on the rims of the origial CD, and the surfaces of the CD-R, but not the rims. Confusing? Not really.
Tbg, you are in for a real treat when you get your RealDisc.
There have been many posts concerning Real Disk on Audioasylum General, with many finding there to be further improvement. I have ordered some, but note it is not a total replacement for ClearDisc.
Tbg, Yes, that is me. The modified unit has an outboard power supply (transformer-based) and a second power supply installed in the unit itself. The original switch-mode power supply has been removed. This allows one to disconnected or remove the fan as well. The modification can be done so that the AC cord goes in the RC or in the new outboard unit.
I sent three original CDs and the copies I made of each using my modified RC, to another member of the Audiogon community. I've invited him to post his honest responses, good or bad, to this thread.
I often compare: 1. the orignal CD to 2. the RC copy to 3. the modified RC copy
Sometimes I like number 1, sometimes I like number 3.
Exlibris, can you tell us more of your modified unit? Louis reported he has a customer who has added a linear supply and is exploring its benefits. Is the customer you? I have done nothing due to Christmas, CES coming up, and final exams.
Tbg, I burned 5 CDs on George's black discs prior to modifying the unit. My comments refer to these 5 CDs and to the CDs I've made with my modified unit.
Are these burned with your revised RC unit and on what blanks. I ask because I have more of a sense of the hall and recording venue with the RC copies on their blanks.
Mejames, I am still awaiting additional Verbatim "Super Azo" CD-Rs, but on the two I have, they prove not as good as the RC blanks. This is contrary to what Todd found. See: http://www.AudioAsylum.com/audio/general/messages/412248.html
I have also used run of the mill blanks from TDF and Verbatim. Others have had more experience with other blanks. See the many posts on AA by Quint.
I am like you in being impressed with the RC blanks used with the cleaner Louis sells.
" I do know several people, me included, who have tried to find better blanks with no success." Tbg Tbg could you please elaborate upon your experience with various blanks? Today Georges blanks just absolutely murdered the dirt cheap Iomation blanks and was clearly superior to the highly regarded Mitsui gold blanks
After listening to a number of live recordings I am reconsidering my blanket position on the duplicate CDs.
Tvad identified... "two definitions of "air" that are bandied about on Audiogon. One means blackness, or silence, between instruments and vocalists. The other definition of "air" means a sense of the recording venue: ambience, echo, reverberation...those aural cues that give the listener a sense of place."
I personally would never use the first of these to define "air." The second definition of "air" is just about perfect.
In my experience, the CD duplicates create a silence between images, but reduce "air." This tends to make poorly recorded studio albums sound cleaner and clearer.
Grant,its not embarassing, this is only audio, nothing personal,I do value your opinion,and knowledge, and I do mean it.I do agree its a matter of preference,thats acceptable,Will I buy the RealityCheckCD and the solution? I already bought the solution,Iam very close of making the decision though, I have to give myself a Christmas gift.There is a dealer here who is inviting me to attend their demo this Saturday,I will try to attend.You know $599 is not a cheap tweak.By the way I will get a free copy,If I will attend.Cant beat that.Thanks
Grant, that is the only cd I have,and I think Norm might have, and I was right.Last night I listened again and again, and again,again, again.I dont disagree with you,I do respect your listening skill, it was proven in my humble listening room,maestro.I am sure you heard something I did not.I am just a baby if I will compare myself to you in terms of audio.By the way I enjoy your post and Jadem6 on the SACD thread.
Please don't assume guys that I much like Nora Jones. It was what came to mind when Jayctoy suggested something where he would not have to send me the original.
Grant, this is also my experience, I want to share. I am not particularly Crazy listening to Nora Jones, but with the realitycheck copy,I end up listening to Nora Jones hours after hours,this is after the comparison.I even brought the two cd for comparison at work. I end up listening to the copy.Suddenly Nora is connecting to Bon.
Grant,what I meant about air, is blackness,ambience with good macro and microdynamics,without compression in the music, where I can picture and feel the instrument going inside my soul being.Sorry for the late response.
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