I'm glad I managed to bring some agreement. I've thought for a long time that, unless the recording engineers are genuinely trying to recreate a live performance (as they usually are with jazz, classical, and some rock/pop albums) that the recorded medium is very different, and is best treated as such. Some of my favourite studio albums (Crowded house woodface being an example) are well mixed because the engineer followed the rule of separation : instruments in the same frequency band must be separated in the stereo mix, instruments in the same part of the stereo mix must be separated by frequency. Following this rule leads to a wonderfully airy sound where one can have many different things "going on" without them interfering. Of course it's about as far removed from a live performance as you can get, but it works for me. Many studio albums that try to sound live by making the stereo mix resemble a stage setting end up sounding muddled because the drums are all crushed together in the center, overlapping the vocals, and having bass panned to one side just sounds odd. Engineering is a real art .. as much as the performance itself.
