Help in deciding which tube preamp to replace my old SFL-2


I'm a long time audiophile. I am finally admitting that it is time to upgrade my tube preamp. For many years it has been my beloved Sonic Frontiers SFL-2 which was upgraded at Parts Connexxion about eight years ago and five years ago I changed out the 6922's to Siemens Rohre CCA tubes. Still sounds wonderful, but it's time. I am exclusively a vinyl listener and my system is: Nottingham table with Koetsu Rosewood Signature Platinum cartridge. Aesthetix Rhea Signature phono preamp fed to the SFL-2 via  balanced interconnects. Primaluna EVO 400's as monoblocks with new KT88's and vintage European small tubes. I also still have my Levinson 27.5 and 23 SS amps. Speakers are Avalon Acoustics Opus. All cables are Transparent Audio Ultras. Musical preference is mostly classic rock; Steely Dan, Dire Straits, Cars, Eric Clapton, etc... but have over 3,000 LP's and do listen to Sinatra quite often. Love string guitars. I plan to buy used, and my budget is around $10K. I've narrowed it down to the following: VTL 7.5 (III), CJ GAT, AR Ref 5SE of Ref 6, Concert Fidelity CF-080 LSX V3, or an Aesthetix Callstio Eclipse.

I respect all comments, criticisms, and suggestions. Thank you.

awise1961

Showing 3 responses by ghdprentice

Sounds to me that we share a common aesthetic for sound. I own a Koetsu Rosewood Signature which has a very musical character. I owned a Sonic Frontiers tubed CD player for many years and use a great tube amp. You can see my current system under my ID. I definitely recommend listening very carefully… or looking if listening is not possible to the Audio Research REF5SE. I had one for many years and loved it. I upgraded to the REF6SE, not because I felt I needed to, but I was upgraded my amp and DAC… and it just seemed appropriate.

 

One thing I really noticed was the synergy I got between ARC equipment… each additional piece got more than the individual piece would have predicted… while this may or may not be technically true, this is my way of looking at all ARC synergy. To a lessor extent you get this with all tube gear.

 

Assume three components made by different companies. The first a tad weak in the treble, the second a bit lean in the midrange, and the third a bit weak in the bass. String them together… you get subtraction… once lost, some of the signal cannot be regenerated. Overly simplified, but this is the way I think about choosing a system… any component of different character and you loose… cables also.

 

When I put in the final piece of my All ARC system… well, it was one of those jaw dropping moments.

 

it would be great to see your system. Sounds like a great one.

OP,

I use my partner in audio decisions… she has better hearing… she may not know the vocabulary of care about it… she instantly hears hardnessan distortion and says she does not like it.

 

MAC gear is highly respected and owned by many. However, it does not appeal to many of us because of its lack of detail. Rock music… particularly with B&W speakers can sound fantastic. It is a matter of taste.

@oddiofyl 

 

I have heard lots of good things about Zesto… and a couple comments about quality control. So, what is it’s sonic character… what were you comparing it to… ?

 

Details please.