Thanks for reply.
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The Limited Edition Snakewood takes all the stunning attributes of the bamboo cantilevered Madake to a whole new level. They are trickling out of Japan due to the incredibly difficult process needed to machine the second hardest wood that also is so brittle that many attempts yield only one or two acceptable bodies. Anyone who has heard one has been thrilled one customer buyer another just to have a spare! Importer Robyatt Audio |
Last night the Snakewood Madake opened even further, allowing me to occupy the space, even the height, of the recording venue of Solti's Don Carlo on London. Tonight I fed it through the Miyajima KSW SUT to achieve a 'rightness' of analog playback I've never achieved before in my system. I'm sure more will be revealed. A match made in heaven. |
After running it through the Cardas pink noise locked grooves for about 12 hours, the Snakewood Madake has opened enough to assess it - maybe more will be revealed, but what I'm hearing now certainly makes my heart beat a little faster.
Its general nature is still Miyajima: natural and neutral and still with the most musical midrange I've heard. But this snakewood body creates a more detailed and precise image. Hard to believe, but the bass is now tighter and the treble is extended slightly more with a noticeable increase in air surrounding each instrument, singer, etc. |
oh boy - I’m trying a humble DGG lp of Kempff playing the bagatelles of Ludwig van, and despite that engineering at the time didn’t quite match imaging with sonority, the musical experience shines through. The highs shimmer, but not unnaturally. I suspect the snake wood body allows natural tonalities to emerge more naturally than did the black wood of the initial Madake. And as for dynamics, well....... |
I've lived with the Dynavector XV-T1 for several years and with the Kansui before that. They portray different sound worlds altogether. As the Snakewood Madake unfolds, I'll be glad to post my impressions and comparisons. I'm a chamber, vocal and opera listener, heavy into strings and the human voice. (A lifelong quest to own a mint tulips set of Karajan's Walkure remains unfulfilled.) For keyboard, I defer to digital. A Shindo Giscours pre-amp contributes not a little to the proceedings as well. Thanks for asking. |
@dr-john never heard about this model, but for me it was hard to get any feedbacks from Miyajima owners in here. My thread was about Madake: https://forum.audiogon.com/discussions/miyajima-madake-experience |