Graham Phantom Anti-Skate. Is it effective at all?


I've had my Phantom Supreme over a year now, and for the most part it's been a pleasure. Beautiful build & sound; awesome VTA and azimuth adjustments. My main hangup had been the headshell; getting a Koetsu to sit flat on the 10" wand seemed impossible because the correct overhang pushed it all the way to the back, behind the main headshell points of contact. Finally I just used 2 plastic washers as shims to get a nice flat mount.

Now my main concern is the anti-skate. I'm not sure if all Phantoms are this way or if it's an issue with my unit. I can't seem to get an effective amount of anti-skate. My preferred method for adjusting anti-skate is to drop the needle in some dead-wax before the label (NOT into a lead-out groove) and adjust so that the stylus creeps *slowly* inwards. With my Graham, I cannot achieve that...it always moves quickly inwards no matter how far out I set the weight. Even physically pushing down on the weight doesn't seem to have much effect in swinging the arm. To me, this seems like the mechanism is not effective, as if I'm running without any compensation. This is very unlike my experiences with a Fidelity Research FR64fx (weight and fishing line) and Clearaudio Magnify (magnetic) -- both have a very noticeably effective anti-skate mechanism, which I can easily dial-in as described above. In fact I just setup a Magnify...it was great!

On my Graham, the pulley & rope system seems to be correctly in place. But without a 2nd until to examine, I can't determine whether this is normal. Could other owners/users of Graham please comment on their experiences with its anti-skate? The situation is OK for now -- I burn hours on my good cartridges very slowly and sparingly -- but I'd rather not have my nice cartridge seeing asymmetric wear over the long-run.

-- Mike
mulveling

Showing 2 responses by wrm57

The LP is pulling inward on the stylus while the A/S device is pulling outward on the tonearm. Where are these counteracting forces mediated? In the only place that there's elasticity to prevent something breaking: the elastic suspension between the cantilever and the cartridge body.

Doug, you may very well be right about this assertion. It has a common-sense ring of truth. And I don't doubt that your rig sounds better (to you and others) without A/S; this vector-force narrative would seem to explain it in a scientific way. But I have to wonder about the actual physics of it. Now, I'm not a physicist (my PhD is in English, not Physics) but it seems logical to me that, with a rigid tonearm, the lateral force of the A/S device is transferred to the stylus, and the "mediation" of this force through the elasticity of the cartridge suspension would occur only if the A/S force is being met with a countervailing force at the stylus tip, in other words, the outside groove wall. Under these circumstances, of course, too much A/S force is being applied. Otherwise, the transmitted force merely relieves pressure on the elasticity of the cartridge suspension, pressure caused by too little A/S.

I'd love to have someone qualified in the physics of tonearm geometry and vector forces weigh in on this fascinating subject.
For precision, I should have said: "...and the *deleterious* 'mediation' of this force through the elasticity of the cartridge suspension would occur only if the A/S force is being met with a countervailing force at the stylus tip...."