Does anyone own a tri amped system in Florida I could hear?


That is my query. I have an audiophile friend in Australia who swears by this approach, and I am wondering just how many levels up one can go in SQ as well as full extension tone in doing this. I am a very happy balanced analog EQer for tone but want to experience everything. 
Thanks!  Sorry I don’t have my system posted still but I’ll put it in the next box here. 

tlcocks

What speakers are you using that will allow Tri amp. I know Sonos Faber lilium speakers do it, and they are tempting but my room is too small and the bass drivers would overwhelm the place.

Are u planning to remove the internal crossovers? I guess that would be pure triamp. Otherwise you'll be competing with what's going on inside the speaker but that may be OK. I really think you need to try biamping.  I doubt many people in this universe are triamping, and if so you'll probably never find them to see them in person.  I would like to personally visit a triamp Domain as the systems are extremely technical and well thought out if done well. A true connoisseur.

@tlcocks 

If you find your self in the NYC metro area it could be possible to set something up.

@ghdprentice 

"Unless you have and infinite budget. Each additional piece of equipment reduces the overall investment level of each amp, interconnect, and power cord. Also, introduces possible differences in character of the sound in the system... so, could influence coherence"

The bass mono-blocs ~$16,000 and the mids/highs ~$8,000 each, so call  it ~$32,000 all in.  I wouldn't think that sounds ridiculous to a guy who has stated that he has $150,000 into his system. 

BTW the ARC REF6 and Pass amps are a match made in heaven.  Tubes and class A amps, yeah baby yeah!

Regards,

barts

 

I rarely listen to my tri-amped set-up, partially because of the seating logistics.

Mine is vintage (Super Big Reds) with Marantz amps, and I prefer the Mermans that I created (JBL 18", JBL 10", Heil AMT) with passive crossovers.  But then, I designed these in the room in which they are used and am extremely careful in how I match parts in the crossovers, of my own design.

The tri-amped setup uses the Super Big Reds (Altec 604E2/Utah aux woofer) that I purchased from a recording studio.  These are one-off in furniture-grade oak cabinets.  The analog electronic crossover was designed for this assemblage and is also a one-off.  There are also passive eq units that go between the amp and the horn drivers.

The amps include two Marantz 170DCs for the four woofers and a Marantz 1180DC integrated for the preamp and to power the horn drivers.  I also have the matching Marantz 2130 tuner with the built-in O-scope.

This set-up could be had..., but I am on the left coast.  I was trying to track their history, but Doug Sax had died a couple years prior to when I got them.

https://youtu.be/iGa9259pz-I

@tlcocks --

It depends on the approach you want to pursue: with passive bi-amping I don’t see the obvious benefits to make it worthwhile and would rather invest the money on a single amp.

However, if you want to see how deep the rabbit hole really goes, so to speak, go outboard active - which is bi-, tri- etc.-amping by its very nature and inherent to its design. This is where the real benefits of such an amp configuration will show itself, and contrary to passive bi-amping it’s a dedicated approach that 1) sees the negation of the passive crossover between the amps and drivers for direct connection between a single amp channel and its driver section, and 2) that each amp channel will only be asked to amplify a frequency limited range - as dictated by the digital crossover/DSP or electronic crossover (analogue) and the line signal received here. That means load independency between the different driver sections, much easier amp load and better driver control.

Moreover, if you go outboard active with the subs to boot (that is, no built-in so-so plate amps and DSP), you’ll get to experience the importance the amplifier has in the lowest octaves as well, and it also means you can now use the same topology/brand amp over the subs as the ones used in the remaining frequency range above for even better coherency and overall sound quality. It’s what I do; active tri-amping with the same topology/brand amps top to bottom.

Who said anything about "easier" or "convenience"? It’s the results that matter, right? Fortunately active bi/tri/more amping equates into much more efficient use of an amplifier’s performance and power envelope, meaning you can do with less one way and the other and still get great results - effectively rendering the "infinite budget"-claim moot. Indeed on the contrary; active configuration can save you money eventually, and it’s not like audiophiles are necessarily money shy to begin with.