Good plan. Better than flipping a coin or just listening to the ag clowns (myself included). 😉
Differences between Harbeth, Spendor, Graham, etc. ?
This is perhaps a foolish question, given the subjective nature of this hobby, but is there any consensus regarding differences between the above brands? I’m interested in their "traditional" or "vintage" lines, not the more modern-voiced models.
For example, I’ve read that the Spendor Classic series speakers are, overall, warmer/darker than Harbeths and offer a bit more punch in the bass. If this is true, I would lean toward the former.
Showing 3 responses by macg19
@larsman What did you land on for rock speakers? I agree with you and would not even recommend the 40.3 XDs that I own now if rock / hard rock is your primary genre, even with big SS horsepower. I don’t think that was Alan Shaw’s intent. As a matter of fact, they were designed to be satisfying at relatively low SPL’s, starting around 70dB to mitigate hearing loss / tinnitus, and I think he did very well achieving those design goals. But who wants to listen to ACDC, Boston (especially Foreplay/Longtime) or the Who at 70dB??? On the other hand, if your music tastes are varied, and you want to fill a room (even a big room) with some nice off-axis sounds as well as enjoy sitting in the sweet spot, Harbeth’s are pretty good all-rounders and definitely not fatiguing...but there are many other fine choices out there.
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@larsman thanks for sharing your speaker journey. Ditto on the hearing loss and tinnitus. For me it’s been over 30 years. I got too close to a massive bank of JBLs at an outdoor rave in London. Midrange loss which is why I chose Harbeth. |