Current, Amperage



I’m trying to make sense of the argument about various types of speakers [ sensitivity, brand, etc ] and their relationship with power/ current/ amperage.

Can someone please provide some basic perspective.

I have a 91.5db tall floor speaker [ Focal Chorus 826V ] and what should I look for in an amp to drive these? How much power do I really need with all things being equal? I use a VTL tube 2.5 amp if that matters to the discussion.

Thank you.
adman227
The amperes/channel spec is basically meaningless along with most other ampere ratings. Current is a function of (ohm) load and will swing as the load varies across the frequency range. My rule of thumb is picking a reputable (voltage source) amp that doubles its power as the load is halved is usually a good starting point. Adding a class A design is icing on the top if the extra heat is not a concern. Current source amp tend to pair much better with (very) high efficiency single driver speakers, based on my albeit limited experience.
Kalali 5-12-2018
The amperes/channel spec is basically meaningless along with most other ampere ratings.
+1.

Amplifier current ratings are meaningless and should almost always be ignored. For example, as stated above the MC602 is described as being capable of providing 150 amperes. 150 amps into 2 ohms corresponds to 45,000 watts. 150 amps into 4 ohms corresponds to 90,000 watts. 150 amps into 8 ohms corresponds to 180,000 watts! Meanwhile the amplifier’s rated continuous power capability is 600 watts into any of those impedances, and it is described as being capable of providing 1000 watts on tone bursts.

What the 150 ampere number most likely represents is how much current can be supplied into a short circuit (zero ohms) for an unspecified number of milliseconds (thousandths of a second), at which point the amplifier’s self-protection mechanisms would shut it down. And according to comments Ralph (Atmasphere) has made in the past about amplifier current ratings in general, it may not even represent that capability at the output of the amplifier, but rather at the output of its internal power supply.

Regards,
-- Al
@Kosst_Amojan

Thanks for the feedback; What about a Class D amp in terms of WPC. 
I realize all of this has a high number of variables built in.

Anyone else care to opine on this topic? 

Does anyone know what the 'Class' rating is for the Mcintosh MC252 ?

Thank you. 
So, how much ‘current’ do I need? And, is this a rating or spec that is provided?
Don't worry about the current!

What is needed is the power to drive the speaker in such a way that its frequency response is flat and that its loud enough without audible distortion.

These two can be quite different, but the thing to understand is that the current cannot exist without power! There is an immutable law that binds them together. It is Power = Current x Voltage where power is in watts, current in amps and voltage in volts. This law is unlike a speed limit in that it simply cannot be violated without creating a new branch of physics which isn't going to happen with amps and speakers :)

The big deal here is that the amp must be able to act like a voltage source with this speaker. What that means is that over the entire range of impedances expressed by the speaker, the amp must be able to make the same voltage (if a simple sine wave were applied to the input of the amp, and swept over the range of the speaker). This can be done by a tube amp or solid state, as **this ability has more to do with output impedance than it does anything else (like 'current')**. In tube amps a low output impedance is achieved by application of negative feedback. Solid state amps often have a low enough output impedance without feedback, but usually are non-linear without it so they have feedback too with rare exception.

The feedback induces a servo control aspect to the amplifier- the output voltage is fed back into the amp as a correction; this essentially tells the amp to make more power into lower impedances and less into higher impedances.

This comes with a price, like all things in life. Feedback adds distortions of its own when applied to an amp, even while suppressing distortion in the amp. This distortion can be heard in any amplifier as brightness and harshness (since it is composed of higher ordered harmonics to which the ear is keenly sensitive). This is why there are amplifier designs that don't use feedback, and complementary speaker designs that don't expect the amp to be a voltage source.
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