Class "A" sound, as related to Stereophile.



It's all about the sound.

It's all about sound, not how much it cost; when I got into "high end", I knew right off the bat I couldn't afford it, but I had to find one thing for sure; how do the various components sound in regard to Stereophile's classes, or ratings? In order to know this; I had to acquire the ability to identify "Stereophile's" class "A" class "B" and class "C" sounds, and the only way to do that was: first, subscribe to Stereophile, and next was to go to every high end audio salon within driving distance; there were 5 well stocked "high end" salons within driving distance. (Since I didn't take my wife, that created some problems)

After a few years of subscribing to Stereophile, plus auditioning equipment that Stereophile recommended, I knew the sound of those recommendations, and I absolutely concurred with them; "If you want to hear the music, you got to pay the piper". While that's true, it's possible to get class "A" sound with class "B" bucks or less.

At this moment, I am looking at 8 capacitors that cost $25 dollars each, plus 2 mono blocks with an instant resale value of 6K. Once I take the covers off and go in with my soldering iron, these mono blocks are worth a resell of O; my mission must be a success. After a successful mission, the resell is still 0; but those mono blocks will deliver class "A" or "A"+ sound, and that's some sweet music.

I have to visualize and hear music in my head before I can modify a component to deliver class "A" sound; but that's the only way for me to get what has become a necessity.

The pressure someone is under when they modify, is great, but the rewards are glorious. On these mono blocks, they are too small for the huge capacitors, therefore I have to figure a way to make the case larger. My reward is "sound" with absolutely no relation to money. I often wander if someone with a fat bankroll can identify the sound, or only how much they paid for each piece.


Happy listening.

orpheus10

Showing 6 responses by tomcy6

I agree with you, Orpheus.  In general, you have to pay more to get better sound.  If you have access to lots of gear that you can swap in and out of your system for free, you may be able to put together a "giant killer" system, but most of us have to cough up the money.

OK viridian, How do you build a synergistic system without listening to different boxes or different entire systems made by one manufacturer, preferably for extended periods of time in your own room?

Do you just let someone else tell you what you should like and take whatever they sell you home and tell all your friends how synergistic your system is?

Can you list these synergistic systems for us?  Can we buy any one or do we have to listen to them all to decide which one we like?

Well, that’s fine that the Brits have their audio lore, that may be a good place to start your search, but I don’t think anyone can accurately determine for a person whether they would like Naim amplification to begin with let alone which speakers would work best in their room. Too many variables involved. Everyone’s hearing, musical tastes and rooms are different. You simply have to listen to components to decide whether you like them or not, preferably in your own room over an extended period of time.

And, if you go to three different audio dealers and tell them what you are looking for, you'll get three different systems recommended to you.

If you want to choose your audio gear based on conventional wisdom, be my guest. I’ll choose by listening to it.

I agree with you Orpheus. A system must be composed of components of similar quality. One lower quality component can ruin a good system.

I also agree with viridian that it’s much easier to assemble a good system with the help of a knowledgeable dealer. It’s just that unless you live in a major city, there aren’t many of them around.

For those of us who don't have a number of audio shops nearby, the Stereophile recommended components list is a good starting point, and not just the current list but older ones too.

viridian, I'd bet that you've listened to a whole lot of appliances in the last 40+ years and have arrived at your level of audio wisdom after many years of listening experience.  What if someone hasn't lived in NY and LA but in Montana or Mississippi without an audio society or audio shop within hundreds of miles?  What if they haven't been alive for even 30 years?  How do they learn the audio ropes? 

Maybe reading the audio magazines and forums and trying different gear is the only option.  You can't know that a Dynavector is a better option for a VPI with a 9" unipivot arm than an Ortophon if you've never heard any of those appliances.