Class A amps


I've read a few articles on class A amps but still don't have a good understanding of how it affects sound quality. I've even seen amps which can be swithced into class A mode or AB. Does anyone have experience with this type of unit? Does class A have a true audible advantage or can it be detected only by test instruments? If it is audible, in what resepects? Thanks, Rick M.
mili224
I am thinking about upgrading my ARCAM AVR 550 to a new ARCAM AVR 30.  The ARCAM AVR 30 has G Class amplification.  I believe the first 50 watts are pure Class A.  This will cost me an extra $3,000 ($6,000) total.  Will I hear the difference in sound quality and is it worth the cost difference.  The reason why I use an AVR receiver it to watch TV through two front towers, a center channel and two REL S2’s.  I use this to listen to 2 channel.  I need the flexibility.  
I would be curious what some of the experts in this group would say?


Kurumuka gave a great explanation.  Class A and AB can be both balanced and single ended.  Both are push pull and can be tube or ss.  There are some Class A SETs - single ended triode or single ended transistors where the +/- is handled by one tube or transistor.  These are always single ended (RCA) and are almost always very low power.  

Class A amps, because of the constant current, tend to be very fast and responsive.  They also waste 75% of the power going through them and run very hot.  Many at 130 degrees and in a small space, this is a huge issue. 

It also matters little how hard your drive these with the exception of low wattage, Class A tube SETs.  Because current running through the amp is constant, it doesn't make a difference if the amp is at 10 or 100, the amp is being "driven" the same. 

One issue is that they tend not to sound right until the get scorching hot and this can take some time.  Tube amps often have direct heated triodes which get them to temperature faster.  SETs are an exception and unless you are in the market for a low wattage SET, I will not share further.  

Class ABs are much more efficient, run in Class A mode to a point and then switch to class B.  This can vary wildly from amp to amp.  When driven hard, these can get very hot and you do not want to be pushing these to high volumes.  They can also seem a little slower than a Class A because of the non-constant current.  In practice, this is not a huge issue unless the amp is poorly made.   

Class B tends to be highly distorted and there are very, very few pure Class B amps on the market.  AB amps switch from Class A to Class B so that it can deal with increases in power needs with changes in volume. 

If you have an amp that has a switch from pure class A to AB (borg dune and warp), your speakers and power needs drive what mode you should use.  
Lets be perfectly honest here folks, who actually listens to music on output levels of 50 watt and above, certainly not many of us with an interest in sound quality IMO. At this level you probably listen to more room distortion than audio reproduction distortion.
 
Most modern design transistor Class-A amps run at this class at lower output levels thus providing good source reproduction without any crossover distortion. Once you ramp up the volume the circuits are design to operate in AB mode.

For sure your input source and speakers can make a huge difference in sound quality, as can the positioning of your equipment.

I guess the thing with sound quality (audible not oscilloscope) is its very subjective, your friends and neighbours will always think there sound system sounds better than yours. My wife claims she makes the best lasagne ever, I've tasted better !!!

Lets be perfectly honest here folks, who actually listens to music on output levels of 50 watt and above


I use way more than 50 watts, my apogee duetta 2 speakers are not very sensitive, but they sound phenomenal.