2. amps-preamps
  3. 193546-202275

Choosing a preamplifier - synergy vs. matching components

Hello everyone,

I’ve already created a couple of threads here, and I’m truly learning a lot from all of you—thank you!

After careful consideration, I’ve decided to move forward with a Yamamoto Sound Craft amplifier and am currently choosing between the AD1 and VT-52 models. To complement my power amplifier, I’m looking for a preamplifier and a phono stage that can support my MC cartridge (or an integrated solution).

From what I understand, Yamamoto Sound Craft offers two preamplifiers: CA-03 and CA-04, with the latter supporting MC cartridges, which would be a convenient option. However, since I use Audio Note speakers, I’m also considering an Audio Note preamplifier (perhaps an M3–M6, depending on budget).

I have a few questions that I hope will spark an interesting discussion about system priorities. I know there’s no single "right" answer, but hearing different perspectives, experiences, and insights will certainly help me make a more informed choice.

  • Should system synergy be the priority, or can better sound be achieved by carefully selecting and matching individual components? I believe Yamamoto Sound Craft and Audio Note share similar philosophies, emphasizing a natural and intimate sound signature.

  • Is it preferable to choose an integrated preamp with a phono stage, or is it better to go with separate components? How does a SUT (Step-Up Transformer) factor into this? Would it be beneficial to use a SUT that is specifically matched to the cartridge?

For reference, I currently use a Denon 103R, but in the future, I’d love to explore higher-end Japanese cartridges like Koetsu or Miyajima.

apollinaire

Showing 3 responses by apollinaire

apollinaire OP
25 posts
 

Thanks for all the feedback.

 

I can see that there's a lot to get in terms of synergy and then it requires to choose your brand carefully. 

I really like Audio Note but the price has amazed me quite a few times and I believe I can get more value for money proceeding with amplifiers from Yamamoto (Shindo, Audio Tekne, Sakuma (when it was available) Abbas, Swissonor and brands alike). As I wrote in my previous post I fully understand the cost of driving an enterprise with an enormous product catalogue where each item comes in many variations (Balanced, Signature, RIAA, Phono, Line, etc.). Therefore please do not interpret this as criticism of Audio Note, because I do adore the sound of their products. 

 

apollinaire OP
25 posts
 

Alright.

I see that there are positive sides to both directions, but perhaps I'm too much of a beginner to start matching components without having an idea what results it will bring beforehand. 

I'm corresponding with a gentleman who recommended me to look at Abbas Audio and his philosophy and approach to high fidelity is that of Sakuma and Shindo-san (that probably also makes it appeal to Yamamoto Sound Craft). 

Sticking with Yamamoto Sound Craft CA-04 is the convenient and obvious solution, but I was trying to see if I could gain some advantages by investing in another product that could compliment the VT-52 amplifier with greater and even better sound. 

apollinaire OP
25 posts
 

Decooney, 

Let's try to set up a hypothetical situation. Let's say that you have a high level amplifier and the very same brand makes outstanding preamplifiers. However you find that there are other brands that perhaps can deliver a greater result soundwise, therefore you contemplate on setting your high level amplifier up with the other brand.  

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