Among the four versions I already own, I really like the Slatkin/St. Louis Symphony version. The countertenor sings full voice, which I prefer to the falcetto or very nasally technique usually employed by most of them. The recording is very good as well. I also like the Shaw/Atlanta on Telarc but don't care for the countertenor as much. I agree that the SFSO/Blomstedt version is my least favorite.
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