Better Records White Hot Stampers: Now the Story Can Be Told!


Just got shipping notification, so now the story can be told!

  Better-Records.com is a small, incredibly valuable yet little known company run out of Thousand Oaks, CA by Tom Port. The business started out many years ago when Tom Port noticed no two records sound quite the same. Evidently Tom is a sound quality fanatic on a scale maybe even higher than mine, and he started getting together with some of his audio buds doing shoot-outs in a friendly competition to see who has the best sounding copy.   

Over time this evolved into Better-Records.com, where the best of the best of these shoot-outs can be bought by regular guys like me who live for the sound, but just don't have the time or the drive to go through all the work of finding these rare gems.

The difference in quality between your average pressing and a White Hot Stamper is truly incredible. If you don't have the system or the ears of course you may never notice. If you do though then nothing else comes even close.   

Tom will say things like only one in twenty copies is Hot Stamper worthy. This doesn't even come close to conveying the magnitude. Last night for example, wife and I were listening to our White Hot Stamper of Tchaikovsky 1812. Then we played another White Hot Tchaikovsky. Then we played the Tchaikovsky tracks from my copy of Clair deLune.  

Without hearing a White Hot you would think Clair de Lune is about as good as it gets. After two sides of Tom's wonders it was flat, dull, mid-fi. Not even in the same ball park. And yet this is quite honestly a very good record. How many of these he has to clean, play, and compare to find the rare few magical sounding copies, I don't even know!  

Copies of Hot Stamper quality being so hard to find means of course they are not always available. This is not like going to the record store. There are not 50 copies of Year of the Cat just sitting around. Most of the time there are no copies at all. When there are, they get snapped up fast. Especially the popular titles. Fleetwood Mac Rumours, Tom Petty Southern Accents, whole bunch of em like this get sold pretty fast even in spite of the astronomically outrageous prices they command. Then again, since people pay - and fast - maybe not so outrageous after all.   

So I spent months looking, hoping for Year of the Cat to show up. When it did, YES! Click on it and.... Sorry, this copy is SOLD! What the...? It was only up a day! If that!  

Well now this puts me in a bit of a spot. Because, see, besides loving music and being obsessed with sound quality, I'm also enthusiastic about sharing this with others. With most things, no problem. Eric makes an endless supply of Tekton Moabs. Talking up Tekton or Townshend or whatever has no effect on my ability to get mine. With Better-records.com however the supply is so limited the last thing I need is more competition. Bit of a bind.   

Even so, can't keep my big mouth shut. Been telling everyone how great these are. One day someone buys one based on my recommendation, Tom finds out, next thing you know I'm a Good Customer. What does that mean? Well is there anything you're looking for? Year of the Cat. That's a hard one. Tell me about it. Might take a while. Take all the time you need. Just get me one. Please. Okay.  

That was months ago. Other day, hey we're doing a shoot-out. No guarantees but should be able to find you one. So for the last few days I was all Are we there yet? Are we there yet? And now finally, like I said, shipped!  

So now I have my Grail, and the story can be told. Got a nice little collection of Hot Stampers, and will be adding more, but this for me is The One. Might not be for you, but that is the beauty of it all. Many of us have that one special record we love. If you do too, and you want to hear it like listening to the master tape, this is the way to go.
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Showing 21 responses by inna

You dub at 15 ips to Studer then compare. Records do wear, I use Last record preservative and don’t think much about it.
Not necessarily. I could get couple of those records, put them on tape and then sell them. Unless, of course, I didn't send them back for refund. I wouldn't do it. So resale value does matter to me.
Bill, of course you are right. Is it worth having Studer to play 100 tapes ?
Well, why not ? And maybe eventually more than 100.
So, yeah, if someone wants to reach for the stars and cover everything possible, one got to have both deck and turntable.
When Paganini is ready to be recorded I will happily pay $600 for any reasonably good pressing. Not before that.
You guys are...whatever you want to call yourselves. Do you print money, anyway ?
You should also talk to your records before playing them or they won't sound right, even the ones from better-records.
I am only interested in promo and test pressings. 
Better get RTR deck and look for master tape dubs than paying hundreds of dollars for maybe slightly better sound. 
I once had 10 original US copies of Bitches Brew, some did sound a little better than others. You know what, when I found first pressing Japanese promo, I discovered in a few seconds that it sounded better than any US that I had. I bet, test pressing, either the original US or the Japanese would cost a fortune in VG+ or better condition.
Maybe easier and cheaper to upgrade the equipment than spending so much time and money hunting for a slightly better sounding pressing ?
But there are really bad sounding pressings that are not acceptable.
I have a few Japanese pressings from 70s and 80s, they don't sound like arizonabob described. Jazz rock. and couple of acoustic music. 
audioguy85, read my post carefully. Bad pressings I get rid of. I meant very slight difference between pressings and huge cost and/or effort often involved. If money is no object - be my guest and do both, there are record dealers that will get you if not anything but most.
Right. MoFi reissue of Bitches Brew album is a complete junk compared to the original US 360 sound record and to the first Japanese pressing.
Japanese JVC vinyl from 70s is great and very quiet.
And who needs these 180g records ? This is BS.

Just upgraded main interconnects. $1100 used, cost of two white hot stampers. Now everything I have sounds one step better, very meaningful step.
I can only give one example. Cielo e Terra album by Al di Meola. Speaking of the original pressings. Recorded in the US, so presumably the master tape was also in the US. I probably had ten US pressings, they sounded slightly better/worse but none was close to hot pressing. Then I tried Dutch pressing. Much better, still no. There is no German pressing, at least I didn’t find it. Then I got regular Japanese one. Better than Dutch in every respect. And then I got Japanese promo, Now that sounds good. Then I got another Japanese promo. Sounds even better, clearly better, fuller, more dynamic and detailed. So, I guess I now have a White Hot Stamper. It took a lot of time and effort to find it. Only test pressing, either the US or Japanese, should be better. But, who knows, maybe there is an even better sounding Japanese promo ? How many more of them am I going to buy if they come up for sale ? All of them ?
That’s the beauty of record pressing hunting, there might always exist a better sounding record. In my case, at least those US records cost me about $10 on average and the rest were not much either. Still, so much work, including cleaning.
Frank,
I think of John Williams as the very best classical guitarist. I prefer him to Segovia and others.
Perhaps, you could make a list of your truly favourite records and tell everyone not to sell or give them away unless under extraordinary circumstances. Someone in the family is going to appear at some point in time who will continue your audiophile journey. We are forever.

Frank, it's a good story about how you found out about John Williams.
I found him on youtube a number of years ago. Also watched a few interviews with him. He speaks well too. He is Australian, by the way, living in London. He also likes Spain's flamenco. One of his friends is famous flamenco guitarist Paco Pena, who is in London as well. They sometimes play together just for fun. Have you heard Paco Pena ? He's got his own flamenco style, different from, say, Paco de Lucia, though both are deeply rooted in Andalucian tradition. But the father of modern flamenco guitar is Nino Ricardo. Some say Sabicas as well, but I don't like his take on flamenco.
Yes, it does make you a bad audiophile, but you shouldn't give a damn about it.
Tubes are better but not at everything. They are also very expensive to do right, tens of thousands of dollars equipment.
Do they take custom orders at Better Records ? To find hot stamper of a particular record for an agreed price.
Yes, I would consider doing it but not until I have Studer or Otari reel to reel. With my current Nakamichi 682zx cassette deck - no. It's a great cassette deck and I use only Maxell Vertex tape but it is still a cassette deck, it cannot compete with turntable overall.