Audio Troy Capital Audio Fest the good, the bad and the ugly!

Totally correct Pops:

We  thought the Devore/Luxman room was underwhelming, way too big a room, and too low a sounstage for such an expensive rig.

VPI's new statement piece Vanquish was very interesting driven by Krell electronics, wired with Nordost.  I think the Kef Muon's did the system a slight disservice, was not a fan.

Agreed

 The room was challenging also - I wasn't impressed with the Blades room either  

Totally disagree the Blades sounded like a big electrostat, huge soundstge good bass excellent resolution.

The issue was a bit more liquidity in the midrange would have made this sound great. Needed some acoustical damping in this big live room, also The CAT gear the ampliifers have never been our flavor, their preamps are amazing. 

The VAC/Von Sweikert room was excellent, better sounding than last year.  But for 1.5mil, Yikes.  

God No this is an example of a way too big a room to fill, no room lock in the bass, the system overall is clean and big but not magical.

Contrast this with Tenacious sounds small room with the Eggleston monitors the speaker is rated to low 40's but the bass coupled with the room made you feel the bass more than the disjointed Vac room.


The CJ/Kharma room was another treat.  The Kharma's for me were the best speaker in the show - wish I could afford them.  The GAT and a new 36 watt power amp were driving them and they were simply outstanding.

Agree on the sound being excellent, expecially for the room size, there was a well positioned image, huge soundstage but still a bit small sounding and not enough bass for a $30k+ speaker.


Callout to startup Verdant.  Beautiful stand mounted speakers and great sound!

Wow don't know what you were hearing the $7k monitors were okay and had no bass, and the $4k ones were good but not outstanding.

This room was super dissapointing considering the $17k amp and the rest of the expensive gear. 

The Tektons were a total reversal of last year, no treble detail in that setup with the Di, and with the Moab the top end was sizzly and nasty and the room was way too small and the image disappered if you moved your head even a few inches.

Big sounding, just aweful.

Surprise:

Alta audio finally got their sound right. The companies last $10k speakers sounded decent and the $4.5k last years setup set of speakers was also very good.

This year the new Alec totally knocked a lot of guys socks off, a gigantic soundstge, coupled to a sweet midrange with excellent treble detail. 

Just amazing sounding for the price.

The MC speakers were indeed very good as well as the audio necs, the ESD horn speakers, the issue is price,size, and value for dollar with some of these.

The MC speakers that looked like a giant 1950's TV were really cool but their size and polarizing looks and of course price will make them a very niche player compared to more conventionally sized and looking reference speaker systems. As per comparing them at $35k to the Muraaudio as one guy said not really a fair comparision the Mura audio are $15k and are amazing for a $15k set of speakers.

The Saunders room sounded for the first time to us actually good, Saunders speakeres are very directional and usually has a one person image. 

Dave and Troy
Audio Doctor NJ

Jond, guess we are hearing different things, the Muons were way too big for that room, the sound didn't gel for us.

Agree the Voltis were very good, Audiotech very good, the Acapella room was impressive but again way too large a room and the system was mind blowingly expensive.

Now a caveat, the Genesis were I think $180k and no that weren't that good but the sound after hours playing a harp recording vs the real harp player did show the system was quite capable.

We had the reverse with the Tial room more magical this year, good last.

Dave and Troy
Audio Doctor NJ

The surprising thing with the New York Audio show was despite its minisule size 23 rooms the show had good attendence. 

The exact amount of people is hard to determine because the show was so small so the same number of people spread out on only two floors made the show appear quite packed.

The reason why we have been sitting out on this show is that the costs from Chester group are high and they don't promote at all.

Compare this to the new Florida show, which was started by retailors so the cost of the room rental was low, and instead of charging for tickets they were given away.  Their show was filled with tons of new people that could become customers and hence grow our industry.

This is what the industry needs to grow, to find new people to show how amazing music can sound on a great audio system.

Also systems for different price points that are more affordable to the starter guy or gal would be fantastic.

Also having an area for the wives and girlfiriends to have fun and look at things they might like like couture, or a tea lounge or something that might make a woman feel like a show like this would be fun for them as well. 

The nice thing for the first time there was a few press people at this show, Julie Mullens from the Absolute Sound, Steve Guttenberg the Audiophiliac, Stereotimes was there, Mike Trei who writes for Sound and Vision, Ken Metcalf from Stereophile was there but was not sure if Stereophile would allow him to cover such a small show.

When we did the show in 2012, 2013, and 2016 the show coverage was nearly non existant.

There were a few very good rooms: 

Vinnie Rossi's new integrated amplifier is expensive but absolutely magical to hear one is to want one, the QLN speakers are also excellent. 

The Luxman/Triangle room was very musical.

We discovered an amazing new turntable the Onkk from Great Britan that was so magical we bought the display sample and are going to become the US importer, it is a $19k table with arm $25k but even at that price it may be unbeatable even at double the price.

Dave and Troy
Audio Doctor NJ