I must say, he has rather strong opinions on audio, I would wholly agree with some, not at all with others. He has a single minded obsession to recreate a live performance aura, and to that end, he is not totally wrong that the vast majority of recordings are not recorded in a fashion to allow that, no matter how many times people here throw around terms like imaging and sound-stage. They are multi-miked, and mixed. What you hear is what the recording engineer wants you to hear, and any sense of sound- stage or "imaging" is a created illusion. He is somewhat correct that the types of speakers he sells and designs do not necessarily offer a benefit, since the illusion was not created with speakers of his design, they were created using monopole speakers. I think, though, he may be short-selling himself a bit as omnidirectional speakers really do appeal to some with any music content.
I did want to clip one part from his website, as it is worth repeating (and given how often these terms are thrown around with just about any tweak). Sound-stage and image is almost exclusively speakers and room, which is why many who actively work with audio, raise an eyebrow at many a claim.
Depth and Image February 20, 2015The terms depth, image, soundstage etc. are bandied about in describing a systems ability (or inability) to recreate a reasonable facsimile of musicians playing their instruments in your listening room. Another way of describing this illusion is to say that the speakers "disappear" sonically. In order to recreate this illusion there are a few simple rules.
Rule # 2 The electronics in the system play a surprisingly small part in creating the illusion. It takes a wretched power amp to totally screw things up. It is not necessary to spend vast sums of money on exotic thermionic based units.