I think we are just emphasizing different perspectives. Mine mostly comes from observation of the sound achieved across the spectrum of speakers that have been on the market over that time. Granted I did build some enormous speakers in the 1970’s based on ideal infinite baffle design, I was young and stupid… so it really doesn’t count.
I agree, of all the different components in audio, they are the easiest for someone with a saw and a concept to manufacture, with far less education. They evaluate and buy parts, crossovers, do some woodworking, and put them on the market. No question… the proof is in the market place… more speakers than any other component. But the available components have improved enormously… and a number of companies make they own drivers.
Maybe it comes down to price category as well… in the < $5K range it would have been easy to make the same sound decades ago… in a larger box size.
On the other hand, the electronic designers are crafting their sound as well… so to in MBL, Audio Research, B&W, and Boulder… with their choice of caps and resisters as well as design determine the sound. If I was to pull a speaker to be an example it would be Magico. They have pushed the envelop in enclosures… probably other aspects as well.
I did not bring up Amati as an example of a speaker that leads using cutting edge technology, although compared with 30 or 40 years ago, sure it is. I only brought it up for the “paper cone” point.
I get your point. But, what I hear is so much better… decade by decade. I just can’t attribute it to fashion.