I use the SP14 as the phono stage in my system. It is quite lively, detailed and dynamic with good bass drive. Its line stage in my experience is pretty neutral in relation to others I've had in my system. The Classe' DR-5 is dark, the Melos SHA-1 is slightly less so, the Forte'model 2(which I auditioned extensively versus the PSE HL-1 which I found to be almost indistinguishable with female jazz vocals) pretty neutral as well. I find the sound of the SP14 to be pretty modern in that regard (not tubelike or obviously solid state, just gives you the music in a natural fashion). Very similar to the current ARC LS16 MkII(my current linestage) in overall coloration although I might add that the SP14 is a bit stronger in bass drive that the LS16 II. Its weakness in my system was a slight foreshortening of depth(which is one of the areas that the LS16 II is superior). I don't have experience with the LS7, but can confirm that the SP14 is an excellent overall performer and a bargain at used prices.
AR LS7 v SP14
Hi, I wonder if any of you can help me? At a demo of equipment I heard a system that comprised the Audio Reserch SP14 paired with a Muscial Fidelity P270 MK2 and was blown away by the scale and living performance they gave. I have since been trying to buy these components second hand and have acquired an Audio Reserch LS7 with a Musical Fidelity P270 mark 2, although I love the sound it doesn't give me the scale and live sounding, living breathing performnace I heard. Can anyone with experience of the SP14 confirm that this is what the SP14 does compared with the LS7? You can gey the SP14's at a great price on the second hand market.
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