And Now, For All You Omni Fanatics


I present the review of the Ohm Acoustics F5, article found at Dagogo.com! (Note, previously known as the Beta F-5015)

You may enjoy the extended discussion of comparison of the Ohm Walsh Model F that I had refurbished several months ago. See the other thread I started about that project (I think I called the thread Ohm Walsh Model F Resurrection), or similar).  At the time the plan was already in place to review the F5, but I kept mum about it, wanting to surprise the community. SURPRISE!  :)

The F5 is a more formidable speaker than the old Model F and imo a superior performer, but as might be expected, with idiosyncrasies. It will be some listeners' ultimate expression of transducer tech. In encapsulated form, I would encourage those who love Ohm speakers and have the vintage sets to not worry over losing what they love about the speakers in moving to a contemporary set. I feel most of the pure full range is kept and somewhat enhanced by the newer, novel design with the omni/directed tweeter pair. See the article for more discussion. 

Like all our news media today, of course the article is fair, balanced, unbiased, etc. ;)


douglas_schroeder

Showing 1 response by douglas_schroeder

Thank you all for the complements, I appreciate them. 

snapsc, regarding your ultimate question; for a person who values the bulbous soundstage and sense of grandeur above all, I believe the F5 would be very gratifying. Because it has a built in subwoofer, it can be downright impressive in presence and scale, two aspects that can yield a sense of an overwhelming experience. It's unusual capability to be contoured to nearly any set of electronics should satisfy all but perhaps the most hard core ESL or horn lovers. It is a legit dual purpose speaker for stereo and surround systems, should a person wish to use it for that, too. 

I was surprised by how handily the F5 outperformed the Walsh Model F - and that was with the vintage speaker being modified by removing half the dense dampening material and bypassing the fuse! The difference in capacity to perform at a very high level was strikingly in favor of the F5. Though it was not my intent to demonstrate it, as I had no idea how the comparison would turn out, the result once again supported my conclusion I reached years ago that vintage does not typically have the capability to perform on the level of contemporary designs. Looking into these older designs literally, there was nowhere near the fanatical attention given to cabinets, dampening, bracing, etc. that happens now, and the character of the performance is fundamentally different. Imo, modern cabinet making for speakers is on a higher level and my ears enjoy the difference. Imo, the appeal of vintage aesthetics is not enough to overcome the performance gap. YMMV