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Allnic Puritas vs. Koetsu Stone Body

Last time I had an opportunity to compare side by side Koetsu Jade and Koetsu Jade with diamond cantilever.
I must admit that DC Koetsu was simply amazing. Compared with stock Jade it was like completly different cartridge. Much better on frequency extremes, more airy, more precise, better articulation.
After auditioning Jade DC stock Jade sounded not very interesting.

I am considering Koetsu stone body with DC to my system, but think rather about Coralstone DC.
Unfortunately Koetsu cartridges have some flaws.
They do not give the best sound money can buy,
Are overpriced,
Hard to find good match with heavy mass tonearm.

For the Coralstone I was thinking about Origin Live 12" Enterprise C tonearm 22g effective mass.

As an alternative I was thinking about Allnic Puritas cartridge paired with new 12" Reed 3P tonearm.
I know that this is different price poin compared to top of the line Koetsu, but Allnic have some unique features and seems to have some sonic advantages of Koetsu sound.

Table is TW Acustic Raven AC.

Could you kindly share your impresions about above mentioned sets and let me know some advices?
milimetr
milimetr OP
139 posts
 
Thanks Lotus for your input.
You would not match Allnic with Reed but it seems that you have such a setup. Does it not work properly?
lewm
12,575 posts
 
All I can say is I heard the Allnic Puritas in a 12-inch Reed on Vetterone's The Beat direct-drive turntable, far into the late evening at the RMAF two years ago. We were comparing it to the SoundSmith Sussuro, riding in a second Reed tonearm. The sound quality was very high in both cases. I am sure Hammertone is a fine company, but they are in business to sell what they sell. Do you think their lack of enthusiasm for the Reed could have anything to do with whether or not they are dealers? (I do.)
lotus340r
32 posts
 
I don't think Hammertone are in the business of selling tonearms so they have no vested interest. David is just passionate about showing the Puritas in the best possible light. Yes, it can work in the Reed but some people report problems with sibilance. Regardless, there are better arms for it as David's painstaking research has shown. In point of fact I actually sell Reed here in the UK but i am just trying to pass on the correct information to help out.
lewm
12,575 posts
 
All good points. I am sure David has done much more work on this subject than I.

I would only comment that the etiology of "sibilance" is one of the most vexing among problems that occur in vinyl audio reproduction. (Meaning, there are many causes.) One of the last elements in the equation that I would indict is the tonearm, per se. VTA, VTF, azimuth adjustment, the cartridge, the LP, the phono stage, all would come ahead of some intrinsic deficiency of the tonearm design as a cause of sibilance, so long as we limit the discussion to really well designed and well built ones.
xactaudio's avatar
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xactaudio
156 posts
 
Have had both carts in my system so maybe I can add something other than speculation. I have to say, interesting if not odd cart choices. I don't think you could have two carts (Puritas and Koetsu) that could be much further apart on the sound spectrum. One is very energetic and one very smooth. Both have great detail retrieval but those details are presented in two very different ways.

The Puritas sounds very good on a 12" hardwood Reed arm. No sibilance. Would it sound better on a heavier arm? Maybe, as the Puritas is rather stiffly suspended. I did try a Puritas on a Fidelity Research 66 arm which is high mass. The sound was different but I would not say it was particularly better overall than the Reed.

The Coralstone was very happy on the FR 66. I mean REALLY happy.
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