Hey decooney...this is a story around the topic. I submitted it as a topic which was seemingly rejected...oh well, here goes:
Raising consciousness around modern DIGITAL PLAYBACK
As a passionate audio geezer with a limited budget, my SOTA Sapphire, Fidelity Research FR64 arm and Grado was my "end of the line" for analog back in the 1990's. I could not pursue both sources at the higher end, financially. I sold the vinyl stuff and never looked back. An Arcam Alpha 9 CD player with dCS ring dac technology fell in my lap, a Z-Man tube buffer, and on I went.
Later came a used NAD M2, full retail $6K...a cutting edge integrated, which included a DAC, somewhat refined Class D plus the ability to select ohm output levels to a lovely pair of Salk monitors. (Enjoy your retirement, Jim...and thanks) THEN, a friend sent me a Music Reference RM-10 MKII EL84 based tube amp followed by a pair of Revolution BE loudspeakers (beryllium tweeters) for my small, dedicated studio. This partnership turned out to be the room / loudspeaker matching at its finest!
With wise counsel from my San Jose Tech, Mike, I selected an outboard pro dac, the Focusrite Clarrett and began streaming lossless files. This served well for several years. During this time, I established a close friendship with a nearby friend who was extremely active in audio, maintaining three systems. The experience was like living near a start-up brick & mortar hi-fi store in the 1980's. He rotated really cool stuff the likes of Von Schweikert, VPI, Tannoy, Pass, McIntosh, Devialet, Audio Matiere (Equilibre & Paraphrase,) King stats, legendary AR9s, Dynaudio Heritage, Music Reference RM200, KEFs and many, many more.
Excuse the rather long backstory as I found it necessary to establish a little cred. The topic, of course, is digital to analog conversion. Before my Focusrite Pro dac, I had an AURALiC dac player on loan. The experience helped convince me NOT to devote a lot of my audio budget towards digital to audio conversion. The upgrade path was costly and the returns seemed relatively minor, compared to analog.
My friend landed upon a Lampizator DAC and he fell in love with its flavor. Twice my friend upgraded the Lampi to one approaching $18K. Is it good? You BET! Was I ever sad to come home to my humble dac? Not once. Okay, so, Mike in San Jose does deep dives on cutting edge digital progression. I asked him, if ever something came up at a reasonable cost that was substantially better than my dac, to let me know.
A couple of months ago I came across this YouTube link:
The Best Tweak EVER In The Whole Audio Industry
...having followed Danny of GR-Research for some time, I'd developed some trust in his listening skills. I began to research chip dacs and op amps, then discussed the possibility of making a move with Mike, my digital mentor. I further learned, from another long time Tech friend, that these chip dacs have equaled and sometimes bettered some of the high priced stuff. -- that the dac chip themselves, their noise levels and specifications now make the differences moot, -- THEN one can select op amps for personal flavorings.
For decades now, high end audio has been described as "a reach for that last bit of performance," the last (costly) 10 or 5 percent. Well, both of my Tech friends presently agree that the latest differences in dacs might be reduced to a percentage within ONE percent! Give that thought a moment to digest. With all the modern attention given to large power supplies, inner and outer isolation, "bling" or those costly streaming boxes (now done silently and inexpensively from a computer) at such costly prices? Could such levels of performance indeed be possible at amazingly low cost?
Here is an excerpt from a recent AudiogoN discussion "fast dac topic" response: "@audiocanada What DAC do you have now? I predict I'll get flamed for this answer, but perhaps consider one of the Topping D90 Variants for $799." Why worry about being "flamed?" Might it be the concept that something SO far down the food chain can actually compete, so often dismissed in our hobby? BTW, I fully support anyone with the means to buy upwards, as exotic as they like. I've benefited from trickle down technology for decades! However, our beloved hobby does suffer from the concept that fantastic sound is unattainable within a small budget. This is quite simply...no longer true for those without DIY skills.
My choice was in buying a Geshelli Labs JN2 socketed DAC outfitted with the AK4499 dac chip and Sparkos 2590 rca op amps, yes, the ones that Danny of GR gushed over. Delivered, the cost came to $556. So, how does it sound? Once again, pull up Danny's review. I'm not copping out, he describes the sound better than I can. My Pro Focusrite DAC still comes into play, splitting and sending the deep bass off to my terrific RythmiK L12 Servo Subwoofer from 80Hz down. This allows the full 35W per channel from the tube amp to drive from 80Hz upwards to the Revolution Be monitors, greatly increasing the dynamics overall.
Entry level audio has become exciting. My 16 months with the BACCH Labs Plug-In crosstalk cancellation has been a joy. Two months into the new chip dac approaches the best sound experienced at my friends house, bettering it in some ways. Our access to music is the most exciting time in history for us music lovers. All at reasonable costs.
Happy Holidays All! More Peace Pinthrift
(bold print for old eyes)