Adcom GFP-710 to Schiit Freya - upgrade?


looking for some thoughts...

It’s been a while since I’ve done anything with my system. I’ve been running a Mac Mini streaming AIFF via Kimber USB into Bel Canto
Dac-3, running the DAC into Pass Labs X250.5 via balanced BlueJeans XLRs. Speakers are Dynaudio S5.4
I recently added a Rega P2 table and that forced me to break out the Adcom GFP-710 that I had laying around in order to be able to switch between sources. Adcom has a built in phono pre, but I bought Schiit Mani as well. I kind of like it a lot. 
I feel that the Adcom may be the weakest link in the chain, and am looking at possibly upgrading a pre. 
Seeking thoughts on Schiit Freya, or any other preamp used or new around $1k that would offer an upgrade in resolution, soundstaging, imaging, etc. 
Balanced or single ended, tubes or solid state, with or without a built in phono pre.

Has anyone compared the Freya to any of the Adcom or comparable preamps, what can you share? What other preamps should I put on a list?
audphile1

Showing 6 responses by wolf_garcia

I left out the best part...a hand made little Dennis Had Inspire "Firebottle HO" single ended 12wpc tube amp.
Marantz CD player (used as a transport only), Squeezebox Touch streamer (background music), Linn table, Cambridge DAC and phono amp both utilizing the Pangea power supplies (no longer available, but Peter Madnick designs...extreme low noise monsters), Freya Preamp, Schiit Loki EQ (rarely used but it's there), Schiit Magni 3 headphone amp, PS Audio Humbuster III, PS Audio Power Ports, Morrow RCA and balanced cables, AQ Silver digital cables, PS Audio power cables, AQ Type 8 speaker wire, Klipsch Heresy III speakers, REL Q150e and Q108MKII subs.
If my Freya was presenting anything other than a crisp and accurate tonal spectrum (I can and have compared it to my extremely overbuilt Kavent/Vincent dual mono balanced preamp which is still around...as a backup or something) I'd have sent it back immediately after some sort of break-in period...I recently bought headphones I really like (Grado SR325e...aluminum...who knew?), and when hooked up to the main system (a Schiit Magni 3 does the headphone labor with the Freya signal) you can really see what's what in terms of micro resolution and coherency from another angle. If you didn't get great sound from the Freya I agree it likely wasn't working properly.
To clarify, I use it because it's a better sounding thing than any preamp I've used in my system (tube rolling is also more fun than otherwise since with a solid state preamp the tubes just roll off onto the floor) including the Kavent and any of the Adcoms I've used...extremely low noise floor, low noise ceiling, and low noise edges and corners, and a reticent yet florid essence of tubishness with an old oak finish of profound musicality and tonal accuracy, and it gets hot so I assume it's enjoying itself. I have no desire to replace it which for an audio freak is a good sign. The LEDs are too bright but I fixed that.
I went from an Adcom GFP something or other (had balanced outputs, remote, and I can't remember the model) to a balanced Kavent (Vincent) monster that sounds FABULOUS, but tube preamp curiosity got to me to a Schiit Freya...along with Atmasphere shaming me with a comment somewhere which was something like, "A tube preamp generally supplies more detail." So it's all his fault really.
I've owned a few Adcom preamps over the years and enjoyed them immensely, but although nobody has perfect Audio Experience Memory (or AEM, a classic term I just made up), my Freya doesn't require remembering what it sounds like because it's in my rig right now. Since I bought the thing in late 2017 I've marveled at how good it is, and have noted (ad nauseam maybe) that there's still simply nothing out there like it. An excellent tube (or not) preamp.