I assume you mean the 2012 vinyl reissue. I believe that is a digital transfer, fwiw, but it does sound very good. I have an old original uk lp which sounds good as well. NOt familiar with Mofi version, but the MOFIs I have heard are somewhat bass heavy(DSOTM)...some prefer this, others don't.
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Here's Fremer's take on Abbey Road: http://www.analogplanet.com/content/abbey-roadblock I have both the MOFI and the new 2012 reissue. I prefer the new reissue, but only by a small margin. The MOFI has better bass and high frequency, but the 2012 reissue is cleaner and has more "sparkle" to it. I also have the Japanese EMI/Toshiba that came out 12 years or so ago and find it to sound the best of the bunch. |
Czarivey I have a friend named Louis and his chocolate lab is named Abby. One music night Louis and Abby walked in and Abby was very excited so I ask, "Did Abby drive?" Another member responded, "No...... Lewis drove and Abby rode" |
I have many digital copies of Abby Road and one is the MFSL and like the above post, I think it has too much bass. My guess is the latest vinyl is a digital mix to vinyl. I've listened to at well used copy from the very early 70's AR and the 1987 compact disc sounds better to me. I have a bootleg digital copy of AR called "Millennium Red Collection" and it sounds the best of all the copies I have collected. |
Whatever cuts grooves is analogue. Digital mastering used to gain better instrument mix with very high sampling rate. No need to worry it's NOT digitized and spoiled. It's been done since early 80's and type of mastering has nothing to do with its quality. Digitally mastered ECM vinyls sound better on cheap turntable than on pricey CD player. |