Sounds like @atmasphere is early on their journey with a PP 300b. Certainly far enough along to demonstrate a prototype at a show, much as we did in Seattle last summer.
We started prototyping with DHTs seriously about 20 years ago. Back in the 1990s we built a 300b-based OTL which we showed at CES.
The trick with the CCS is doing a good one. A lot of the circuits that you see on the web leaver performance on the table. We've had CCS circuits in our amps for the last 35 years.
'A lack of solid state coloration' is matter of avoiding the distortion signature that is endemic in so many solid state amps. This has to do with proper design of the feedback loop and a whole lotta loop gain in an amplifier design. The 'solid state' sound is just bad feedback application and is part of why feedback has garnered a bad rep in high end audio.
Feedback has been known to give tube amps a 'solid state' sound too; this is because the feedback signal has been distorted prior to mixing with the audio signal its supposed to correct. Its like having an incorrect map to guide you through town. Norman Crowhurst wrote about this problem nearly 70 years ago but did not suggest a solution, despite it being rather simple. Peter Baxandall 'rediscovered' the same problem in solid state amps about 20 years later but he suggested more feedback, which doesn't solve the problem.
Its only been in the last few years where we've seen self-oscillating class D amps where this problem has been solved pretty consistently. You can do it in class A/AB solid state amps too if you're willing to work out the 3rd or 4th order feedback loops that need to be involved. Most designers just use a resistor which won't cut it...