300b lovers


I have been an owner of Don Sachs gear since he began, and he modified all my HK Citation gear before he came out with his own creations.  I bought a Willsenton 300b integrated amp and was smitten with the sound of it, inexpensive as it is.  Don told me that he was designing a 300b amp with the legendary Lynn Olson and lo and behold, I got one of his early pair of pre-production mono-blocks recently, driving Spatial Audio M5 Triode Masters.  

Now with a week on the amp, I am eager to say that these 300b amps are simply sensational, creating a sound that brings the musicians right into my listening room with a palpable presence.  They create the most open vidid presentation to the music -- they are neither warm nor cool, just uncannily true to the source of the music.  They replace his excellent Kootai KT88 which I was dubious about being bettered by anything, but these amps are just outstanding.  Don is nearing production of a successor to his highly regard DS2 preamp, which also will have a  unique circuitry to mate with his 300b monos via XLR connections.  Don explained the sonic benefits of this design and it went over my head, but clearly these designs are well though out.. my ears confirm it. 

I have been an audiophile for nearly 50 years having had a boatload of electronics during that time, but I personally have never heard such a realistic presentation to my music as I am hearing with these 300b monos in my system.  300b tubes lend themselves to realistic music reproduction as my Willsenton 300b integrated amps informed me, but Don's 300b amps are in a entirely different realm.  Of course, 300b amps favor efficient speakers so carefully component matching is paramount.

Don is working out a business arrangement to have his electronics built by an American audio firm so they will soon be more widely available to the public.  Don will be attending the Seattle Audio Show in June in the Spatial Audio room where the speakers will be driven by his 300b monos and his preamp, with digital conversion with the outstanding Lampizator Pacific tube DAC.  I will be there to hear what I expect to be an outstanding sonic presentation.  

To allay any questions about the cost of Don's 300b mono, I do not have an answer. 

 

 

whitestix

Showing 3 responses by snapsc

Don, Lynn

Like many have said, there is a lot here that is technically beyond me...so, I'd like to see if I've understood the essence of what you are saying..which I believe is....

That by eliminating all harmonic distortion above 3rd...and by driving 2nd and 3rd harmonics to extremely low levels you have achieved an amplifier that is not "tubey" in the classical sense but absolutely open and clear that gets out of the way resulting in truthful musicality.

Obviously, this is an extreme simplification of what you've achieved and how you've achieve it...but is this a correct interpretation or have I over simplified or missed some key discoveries?

 

Well, I read the Quanta article and I’m not sure if I enjoy my home audio set up or if I’m just imagining I enjoy it… but maybe the reality is that it would be better either way if I had the new amp and preamp??

Lynn…. I really appreciate two comments… illusion generator… and the layman disadvantage of not hearing individual part changes…. both of which help explain why many of us go through a bunch of gear trying over and over to improve the illusion.