I, too, was very pleased with the small Joseph Audio Pulsar speakers paired with the Doshi electronics. The gear and setup were appropriate for the room where many other manufacturers were trying too hard with too small a space (ahem Focal Maestro Utopia with Naim Statements with less than 7ā listening distance). The body, articulation, imaging and soul of the Joseph Audio room we very moving, and I had a nice time talking with Jeff Joseph about the setup.
Some of my other favorite rooms, without going into much detail:
Margules electronics with Raidho TD 2.2 - this was the boldest, biggest, most organic, and most involving system I heard at the show. Definitely not as fast as the Borresen M1 room when it comes to the microdynamics and speed requirements of electronic music, but it excelled in everything else across all genres, and the speed and microdynamics were more than capable for even the most tasking classical and jazz.
Borresen M1 monitors with the Aavik I-880 integrated - this was uber-high-end, but the clarity, imaging and soundstage could not be beat. Of course, a more āHifiā sound, but easily could handle anything you threw at it with grace. There were only moments where I was missing the lowest octave.
Thrax electronics with the Lanche 5.2 speakers - this room was just wonderful, an excellent blend of the sound of the two rooms above for what delivered an incredibly organic, but fast and resolving sound with an immense stage (of course the larger room helps, but few if any of the other larger rooms could replicate this magic as something in those systems was always compromising something. The proprietary plasma tweeters on the Lansche were straight out incredible, mixed with a very warm, dynamic, and inviting sound.
All of these were evaluated multiple times over multiple days from their prime listening spots. And in full disclosure, I am a Margules dealer, though I try to remain unbiased about these reviews, which is why I share where I thought there could be improvement areas.
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