well surprisingly it was very easy to hear differences between the threads.
- have been running silk or linen thread. as i suspected silk is much quieter than linen thread. in fact after returning to linen thread for perceived dynamics, i got rid of it. much better with silk. extraordinarily quiet. also using shaknspin2 the silk achieves better W&F readings and better speed stability.
- i thought to myself maybe i need to drop the spindle so i am all magnet. i don't know how i got here but i don't think i'd heard it with zero bearing. anyway i did just that and lo and behold!
- suddenly the music was completely "free". i don't know what this really means but that was the sense of it. the music unfolding with zero sense of mechanical device running. much quieter again.
so here we are: motor on footers, la platine on its own footers, about a mm or so play between platter and spindle, the Rocol X5 lubrication as the maker intended. great speed stability but very much at upper end of range for motor to achieve 33.3.
- with the linen thread i had 33.3 and 45 easy. i think with silk i will struggle to hit 45. this is a problem but currently worth it to explore benefits of silk.
- extraordinary transparency of voice. variable stage width according to what record i'm playing.
All in all i reckon the la platine has many faces. with a thick rubber belt and bearing contact it sounds alot like my garrard 401. with silk thread, loose, and no bearing contact, it pretty much disappears and the music unfolds without impediment, without seemingly any "flavour" from the turntable. early days but seems very nice.