Windham Hill an audiophile label?


I've been revisiting all of the early Windham Hill Records releases as part of a project detailing the Windham Hill Discography (you can see the site at http://windhaming.wordpress.com )

In my project I reprint all of the original liner notes and credits, and I've recently interviewed Harn Soper and Russell Bond of The Music Annex in Menlo Park where many of the classic Windham Hill albums were recorded (George Winston's Autumn, to name one.)

A typical Windham Hill album from 1980 to 1986 was:
- recorded direct to two-track, with minimal or no reverb at 30 inches per second
- Mastered by Stan Ricker at Mobile Fidelity Sound Labs
- Matrixed and pressed at RTI - Record Technology in Camarillo, CA
- Pressed using Quiex vinyl.

What do you think? Are any Windham Hill albums an important part of your audiophile collection? What are your observations on the sound?

(As an aside, I've also heard that they released original reel-to-reel recordings recording in "real-time" directly of the masters, and were a leader in chromium cassettes. Interesting details.)
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Um, no. No whale cries.

It's funny though. Over the years the label has lost the artistic credibility it once had. The songs have been recycled time and again on compilations, but the original albums are long out of print, and so if you weren't into music at the time, you could easily confuse Windham Hill with any of the imitators.

Because I so clearly remember the original vision of the label in the early 80's, I tend to think of Windham Hill more in the vein of ECM or MA recordings - not Narada or the Environments series.

Windham Hill faced a problem of success - they created a genre which could be done badly - and the competition watered down the vision and distracted listeners from the artists. I remember that by the early 90's Narada's less artistically significant catalog was handily outselling Windham Hill.

Also, Will Ackerman, who founded the label, became more removed from the label over time, and not all of the later works had his distinct musical imprint.

Nonetheless, I think the first 50 or so albums truly represent a great moment in American music - and there are several gems in the next 50 as well. That's a lot of good records for one small label.
Yes, some of the Windham stuff is sleepy, but "An Evening with Windham Hill Live" is anything but. IMO, it's their best album. From an audiophile perspective, it's superb. I don't know any other acoustic album recorded as well. It captures subtle details that are lost in most recordings. There's a distinct feeling of being in the room with the musicians. I highly recommend this gem on vinyl.
My favorite artist from the Windhan Hill days is Patty Larkin-"Angels Running". 1993.
The mention of Michel Hedges here has made me feel good today as i read through this thread. Thanks guys!! I must try and find that Red Rocks DVD as i have tried to find the "Artist Profile" that was available on VHS but never printed to DVD. That is such a shame. I spoke with Michael Manring (who was Hedge's bass player often and a great person) about this matter one on one and he told me it was down to one individual making all of these decisions and he kind of shook his head about it all but didn't go much further. So i am surprised to hear that there is a Red Rocks DVD out there of Michael Hedges. I will be trying to find that one now!