Would you pay to listen?


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Just curious, would you pay to listen to a
$100k system? Say a one hour session for twenty bucks?

Assuming the room is great and you have vinyl and cd and your choice of solid state or tubes. Also assuming you'd have the best matched system that $100k could buy.

How much would you pay to hear a $200k system? No pressure or expectation to buy anything, just plunk down your twenty and enjoy the music. BYO drinks of course.

I'm sure I'd pay if there were such a place.
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128x128mitch4t
why would anyone pay to hear a recording ? it makes sense to pay for a concert, although some are free, but it seems ludicrous to pay to hear a recording, regardless of how good the sound is.

the human element is missing (nothing visual) when you listen to a stereo. the feeling of the audienece is missing. its an incomplete experience and while it is the next best thing to a concert, it is a distant second. if anything, the dealer should pay you to listen to his system.
"There's nothing like the smell of napalm in the morning."
If one doesn't understand this comment, then one doesn't understand the 'lust' that hopeless audiophiles (like me) experience when seeing a pair of the big boy MBL's, the big boy Sound Labs--the newest VAC Gear by Kevin Hayes.
Most of us 'crazies' might entertain paying for the opportunity...some stores in New York and other metro areas, during the 'heat' of economic better times, DID, I am told charge for a session, the price of which, on purchase would be credited to that purchase. So...this is not a new concept in that regard...its just that, in the dark light, (hmmm that would simply be dark, right?) of the current economic reality, it seems out of place to think anyone would pay for this priv.

So, I'd have to say, 'if you have to ask', you're not a hopeless audiophile like some of us. lol

Larry
Mrtennis, most of us pay for our recorded music; therefore, we pay to listen to recordings. If you don't pay, that's a moral decision that you've made, but I support musicians with payment in the hopes that they'll produce more great music that I can enjoy.
Do what I did...having been a musician for many years I volunteered to help with the sound for a monthly "folkie" concert series in a town I moved to in 1999...this lead to my designing their system and then running it for 9 years (this also lead to doing other "soundman" gigs for PAY even...still do a few), until I moved away. It covered many bases: I got my "Gear Head Geek" on with the sweet pro gear, I heard and hung out with the BEST touring singer/songwriter/pickers I could imagine, and could sit there and be "Knob Turner" dialing in what I thought sounded best while recording everything. In Stereo...like I said...do that...it was as if I was stealing beauty.
I have so paid that dub and have gotten a hundred thousand system moved out of the way so I could enjoy the music.