Gvickerschtick, Like amps of all other types, class D amps vary in performance, tembral signature, and price. . . it is difficult to make a broad-stroke statement on how class D sounds any longer. One common trait is that they take a very long time to break in, and before complete break in at about 1000 hours of music making, they can sound rather dry. . . or at least rather odd. Audiophiles who seek a modicum of tube bloom have successfully paired class D amps with tube linestages and front ends. As I prefer a more neutrally approach to musical sound, I have recently gone completely SS with a JRDG 312 and a JRDG Capri linestage and couldn't be happier. . . . well, until the next upgrade. . . you understand (grins!)
Seems to me also that like with most other technologies, power cords, ICs, and power conditioning may have a significant effect.
The bottomline answer is that class D can 'sound' in many different ways, including 'sweet', provided the software and the rest of the system make it so.
Seems to me also that like with most other technologies, power cords, ICs, and power conditioning may have a significant effect.
The bottomline answer is that class D can 'sound' in many different ways, including 'sweet', provided the software and the rest of the system make it so.