Record clamps: do they really make a difference.

Syntax,

That rocks, dude!

Always happy to help. ;)

Dover, I agree with your aim of striving to retrieve all of the information as possible from the LP. There is no magic to the execution of sound retrieval from an LP: It is pure physics.

The effective coupling of an LP to a platter by use of a center weight or clamp and a periphery ring are very effective. I have found that the more massive the clamp the more stable the platform and greater resonance control.

I also found that increasing the mass of the center weight improved the sound extraction. Though, on initial use, I felt that the music had lost its vibrance. However, upon further listening, I discovered that there was greater definition to the music and less background noise. What became evident with the lighter-mass weight was that the resonance from the stylus was fed back through the audio chain. It was like hearing music played is a hall.

TTWeights makes a well-thought out center weight with a cupped underside to impart pressure on the LP to mate with the platter.

I find that once accustomed to hearing just the music that is recorded versus an enhanced audio experience, the more exhilarating and gratifying it becomes.

It also works the other way: I can readily detect audio equipment that fails to extract sufficient information from the record groove and there is a measure of disappointment.

I use both a TTWeights center weight, 3.2 lbs of brass, and their 2.1 lb. periphery ring, a copper mat and an alloy mat over a stainless steel platter (Mirko's).

Previously, I had used the two versions of VPI clamps (Delrin and combination stainless/Delrin), and their solid stainless center weight. With each increase in mass, there was increased clarity.

Dear Dover: Tone control?. Well, one way or the other and due that exist no perfect clamp/TT/Mat what we are using has a side effect as " tone control ": want it or not.

As you tehre are many advocates that coupled the LP to a metal Mat or TT ( direct. ) metal platter surface and this makes more harm that help due that the metal is more resonant and with better characterists that does not helps to impede feedback that other non-metal materials.

IMHO the best way to take out the LP grooves informstion by the stylus/cantilever is to " overdamp " down there: we don't want any single resonance/vibration, noise/feedback, etc, etc that be added to the grooves/stylus/cantilever own and unique modulations.

Please read again the Tonywinsc post about and remember that we are not talking what we like or not but what we need that the stylus/cantilever can take out of the LP grooves with no additional " information/distortions ". IMHO in this " equation " probably the worst enemy is metal material.

Regards and enjoy the music,
R.